From the nostalgia file: “Taxi Driver”
A brief consideration of “Taxi Driver,” still Scorsese’s masterpiece.
A brief consideration of “Taxi Driver,” still Scorsese’s masterpiece.
An excerpt from the February 2016 issue of Bright Wall/Dark Room about Keanu Reeves.
A peculiar film, poised somewhere between satire and dream logic.
Billy Wilder’s groundbreaking comedy-drama still has the power to wound.
So tired of slave movies; Abuses in NYC ticketing industry; Rosenbaum on “La belle noiseuse”; Hollywood’s Westmore family; Studios push for digital screeners.
An article detailing the theatrical roll-out of “Sembene!”
An interview with experimental filmmaker Mark Rappaport.
Jessica Ritchey’s poetic remembrance of the final months of her father’s life, through the movies she saw.
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
A review of the 2016 Oscar-nominated short films.
Remembering “The Last of the Mohicans”; Daniel Radcliffe’s farting corpse; The most recalcitrant “ism” of all; László Nemes and Géza Röhrig on “Son of Saul”; Roger Deakins on “Hail, Caesar!”
Being black and gay in Hollywood; Phil Joanou on “The Veil”; When white actors play other races; Bold risks taken by filmmakers last year; How abortions on TV don’t reflect reality.
The shaming of Robert De Niro; Disappointment invades “The 5th Wave”; Christopher Jason Bell on “The Winds That Scatter”; Why the #OscarsSoWhite fuss matters; Boxing’s greatest muse.
Stakes high in “Chi-Raq”; Problem with “Danish Girl”; K.K. Barrett teams with Kid Koala; Malick remains elusive; Emma Thompson on Alan Rickman.
With “The Hateful Eight,” Quentin Tarantino betrays the female fans he’s until-now supported.
Stephen Cone on being his own editor; Deniz Gamze Ergüven on “Mustang”; Guy Maddin’s “The Forbidden Room”; What causes terrorism against the West; Trusting women to write super-men.
An excerpt from the January 2016 issue of Bright Wall/Dark Room about “Ex Machina.”
A tribute to the late, great, unbelievable artist that is David Bowie.