Once There Was a Camelot: On the Crafting of a Legacy in “Jackie”
A look at how Pablo Larrain’s film captures legacy, privacy, and loyalty.
A look at how Pablo Larrain’s film captures legacy, privacy, and loyalty.
An analysis of the films of Monica Vitti and why they still move us today.
Three critics reflect on their love for “Ice Castles.”
An interview with Adam Nayman about his new book on director Ben Wheatley
Jessica Ritchey answers the Movie Love Questionnaire.
An article about two upcoming tv shows that screened at the Chicago International Television Festival.
What does a Hollywood screenwriter bring to a video game? A review of “Tom Clancy’s Ghost Recon Wildlands,” written by a movie screenwriter.
A celebration of director David Lynch’s filmography in anticipation of an upcoming retrospective at the IFC Center in New York.
A classic thriller that moves with a sense of purpose.
Stephen Cone on “Personal Shopper”; Jack C. Newell on “Open Tables”; Not-so-secret life of Terrence Malick; Studio Ghibli’s girl power; Éric Rohmer’s battle of the sexes.
A review of the original series “Snatch,” premiering tomorrow on Crackle.
An excerpt from the March 2017 issue of the online magazine Bright Wall/Dark Room about “My Neighbor Totoro.”
A tribute to the late film buff, author and Turner Classics Movies host, Robert Osborne.
An interview with director Sol Friedman about “Bacon & God’s Wrath” and a presentation of the short film.
In praise of the first superhero film where people forget to take their medicine and sometimes cars don’t start.
The best film of 2016 is now playing in 1,500 theaters across America.
“Get Out” is the best movie about American slavery; In praise of Jordan Horowitz; That Oscars shocker; Painful black/white Oscar moment; Who killed “Twin Peaks.”
An extensive look at what films will be playing the 22nd “Rendez-Vous with French Cinema,” which runs from March 1-12 at the Film Society of Lincoln Center’s Walter Reade Theater in New York.
The RogerEbert.com staff says goodbye to Bill Paxton.