This month's excerpt from online magazine Bright Wall/Dark Room is an essay by Paul Fischer about "A Streetcar Named Desire."
The latest and greatest on Blu-ray and DVD and streaming, including "The Big Sick," "Certain Women," "Wonder Woman," and Ken Burns and Lynn Novick's "The Vietnam War."
Molly Haskell speaks with Matt Zoller Seitz about "From Reverence to Rape," "Love and Other Infectious Diseases," "Steven Spielberg: A Life in Films" and more.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
As part of its ongoing national effort to lead the nation to discover and rediscover the classics, the American Film Institute (AFI) today announced the 50 greatest American screen legends - the top 25 women and top 25 men naming Katharine Hepburn and Humphrey Bogart the number one legends among the women and men.
When the numbers were crunched on the morning of Feb. 23, "Titanic" officially became the top-grossing film at the worldwide box office, passing "Jurassic Park's" record of $914 million. As of Monday, about $427 million of the film's receipts came from the American box office, where "Titanic" is in second place and closing fast on the "Star Wars" total of $461 million.
Q. My wife and I went to see "The Beverly Hillbillies" and, while I'm no expert on special effects, it seemed that the scene in which Dolly Parton entertains at the Clampett's party was strung together using a blue-screen technique, and that Parton was not really there for most of it. Am I right? (Ted Bridis, Tulsa, OK)
This book represents only the tip of the iceberg. When Daniel Selznick, David O. Selznick's younger son, asked Rudy Behlmer to edit a selection of his father's memos, Behlmer had little notion of the task involved. The archive was lodged at that time at Bekins Moving and Storage in Los Angeles and Behlmer wrote: "I'll never forget walking into the building in which the files are stored for the first time and being confronted by approximately two thousand file boxes!" Those were only the memos--the written record of substantially every thought Selznick had about his career from 1916 to 1965. to When the David O. Selznick Collection was acquired by the University of Texas in 1981, it included countless other boxes, containing scripts and all their revisions, bills and statements, publicity materials, fan mail, receipts, and the continuity record of every day's shooting on almost every film. On an ordinary day Selznick used two secretaries, sometimes more, to take his dictation, and executives were not surprised when a Selznick memo arrived 15 minutes before they were scheduled to meet with him in person.