Jurassic World: Fallen Kingdom
This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it. It doesn’t need you, the individual viewer, to…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A piece on "Beat the Devil," returning to the Film Forum this weekend.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
The Ebert Club is pleased to share the following Film Noir cult classic, streaming free. I invite you to join the Club and dive into an eclectic assortment of wonderful and curious finds. Your subscription helps support the Newsletter, the Far-Flung Correspondents and the On-Demanders on my site. - RE"The movie has above all effortless charm. Once we catch on that nothing much is going to happen, we can relax and share the amusement of the actors, who are essentially being asked to share their playfulness. There is a scene on a veranda overlooking the sea, where Bogart and Jones play out their first flirtation, and by the end of their dialogue you can see they're all but cracking up; Bogart grins during the dissolve. The whole movie feels that way. Now that movies have become fearsome engines designed to hammer us with entertainment, it is nice to recall those that simply wanted to be witty company." - Roger, from his Great Movies review of "Beat the Devil".Beat The Devil (1953) Directed by John Huston. Co-written by John Huston and Truman Capote. Loosely based upon a novel of the same name by British journalist and critic Claud Cockburn; pseudonym James Helvick. Starring Humphrey Bogart, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Robert Morley, Edward Underdown, Ivor Barnard, Marco Tulli, Bernard Lee and Saro Urzì.Synopsis: A quartet of international crooks - Peterson, O'Hara, Ross and Ravello - is stranded in Italy while their steamer is being repaired. With them are the Dannreuthers. The six are headed for Africa, presumably to sell vacuum cleaners but actually to buy land supposedly loaded with uranium. They're joined by others who apparently have similar designs. It was intended by Huston as a tongue-in-cheek spoof of his earlier masterpiece, "The Maltese Falcon" and the noir genre in general.
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Marie writes: some of you may recall reading about the Capilano Suspension Bridge in North Vancouver, British Columbia Canada. (Click to enlarge.)
Attention Ebert Club Members and fellow would-be chefs....drum roll... Marie writes: At long last, the highly anticipated "The Pot and How to Use it" is set for release! Containing numerous and surprisingly varied recipes for electric rice cookers, it is much more than a cookbook. Originating from Roger's 2008 Nov. blog entry, it includes readers' comments and recipes along side the Grand Poobah's own discerning insights and observations on why and how we cook. 128 pages, paperback format. Sept 21, 2010 release date. Available now for pre-order at Amazon at a discount.
(Click image to enlarge)Chaz visits Roger in the kitchen as he demonstrates the correct way to use the Pot. First, and this is very important; you need to remove the lid... :-)
This, for the benefit of future rock historians, is the transscript of a screenplay I wrote in the summer of 1977. It was tailored for the historic punk rock band the Sex Pistols, and was to be directed by Russ Meyer and produced by the impresario Malcolm McLaren. It still carried its original title, "Anarchy in the U.K.," although shortly after I phoned up with a suggested title change, which was accepted: "Who Killed Bambi?" I wrote about this adventure in my blog entry McLaren & Meyer & Rotten & Vicious & me. Discussions with Meyer, McLaren and Rene Daalder led to this draft. All I intend to do here is reprint it. Comments are open, but I can't discuss what I wrote, why I wrote it, or what I should or shouldn't have written. Frankly, I have no idea.
Holding forth about actors a few years ago, John Huston allowed as how there were good ones and bad ones, and then there were a few like splendid thoroughbreds: All you had to do was judge their gait and you could see they had class.
With the lithe grace of a seasoned athlete, Peter Finch lifted the tea bag from the teapot and, holding it by the trademark at the end of its string, dropped it into an ashtray. His aim was accurate, and he permitted himself a dour smile.
Dick Van Dyke's new film is titled "Divorce American Style," and he can't get over it.
Robert Morley opened the door and stood inside, beaming and nodding and making desperate gestures with his right hand, which held a large pocket-handkerchief.