A wild whirlwind of a mess, without any coherence, without even a guiding principle.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to Robert Evans.
An essay on the Elaine May film A New Leaf, as excerpted from the latest issue of Bright Wall/Dark Room.
An excerpt from the latest issue of the online magazine, Bright Wall/Dark Room.
Brett Morgen and Jane Goodall talk about the creation and history behind their enthralling new documentary, "Jane."
This excerpt from James Greenberg's "Roman Polanski: A Retrospective" looks at Polanski's breakthrough American film "Rosemary's Baby."
You may find it disturbing to see audiences laughing while watching "The Exorcist"(1973), but you will probably not see any problem in having some laugh with "Rosemary’s Baby" (1968). It goes without saying that they are two of the most chilling modern horror films, but, while the former unsettles us with its utmost solemnness parodied many times since it came out, the latter has a spooky sense of humor immune to parodies. How can you make an effective parody to undermine a horror film if it already has a devilish tongue slyly placed on its dark cheek?
While it is one or two steps behind "Dr. Strangelove," "The President's Analyst" (1967) is a very good black comedy sniggering at Cold War paranoid. Maybe it's not as ruthless as that great comedy, but the movie romps cheerfully on its subjects with a take-no-prisoner attitude. And during this loony joy ride we eventually discover that the movie foretold something very accurate more than 40 years ago.
We have seen many psychiatrist whose lives become more burdensome than usual thanks to their unusual patients in the movies ("Analyze This") and TV series("The Sopranos" and "In Treatment"), but I think no one can top our hero Dr. Sidney Schaefer (James Coburn). His new patient is none other than the president of the United States, the most powerful figure in the world who incidentally does not appear on the screen.
Dustin Hoffman doing a real Robert Evans impression in "Wag the Dog" (not at all like what Martin Landau did in "Entourage," which could never be mistaken for Evans).
It's enormously frustrating and stressful trying to live in three places at once, especially when they're: 1) the "reality-based community"; 2) the arena of critical thinking; and 3) America in the 21st century. So, who was surprised by this headline?
Prosecutors drop case in Ramsey slaying Prosecutors abruptly dropped their case Monday against John Mark Karr in the slaying of JonBenet Ramsey, saying DNA tests failed to put him at the crime scene despite his insistence he sexually assaulted and strangled the 6-year-old beauty queen.
Just a week and a half after Karr's arrest in Thailand was seen as a remarkable break in the sensational, decade-old case, prosecutors suggested in court papers that he was just a man with a twisted fascination with JonBenet who confessed to a crime he didn't commit. The only difference between this story and innumerable others (like, say the non-case for invading Iraq) is how quickly and easily it unravelled (or, rather, evaporated), after the press and the public suddenly realized they'd never had any good reason to accept it as legitimate in the first place.
"You don't know me," said the great-looking blonde in the wraparound fur, "but I know you."
David Brown came to lunch at Chez Paul carrying a little brown paper bag, but not because he'd brought sandwiches. No, the bag contained a portable tape recorder, and Brown asked if I'd mind if he and Richard Zanuck taped part of the interview. Now THAT'S curious, I thought, since I'm the one who's doing the interview, and all I brought was my Pentel Rolling Marker.