Ruben Brandt, Collector
The film is lighthearted but not frivolous, and the animation - a mix of computer-generated and hand-drawn - is so innovative and fun it's always…
Nadine Labaki
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Capernaum (2018)
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Writer, Director
Tomris Laffly -
Rio, I Love You (2016)
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Director
Christy Lemire -
Where Do We Go Now? (2012)
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Amale, Directed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
My Joys and Sorrows of the 2019 Oscar Nominations
Chaz Ebert shares her thoughts on the highs and the lows of the 2019 Academy Award nominations .
2018 Fall Movie Preview: 10 Films We're Excited About
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
Thumbnails Special Edition: Cannes 2018
A special edition of Thumbnails featuring highlights from our coverage of the 2018 Cannes Film Festival.
Cannes 2018 Video #6: Shoplifters, BlacKkKlansman Earn Top Prizes
Our sixth video dispatch from the 2018 Cannes Film Festival features this year's prize-winners, including "Shoplifters" and "BlacKkKlansman."
Cannes 2018 Video #5: Capharnaüm, The First of Many and More
Our fifth video dispatch from the 2018 Cannes Film Festival features reviews of "Capharnaüm," "The First of Many" and more.
Cannes 2018: Dogman, Capernaum
Reviews from the Cannes Film Festival of two competition titles, Matteo Garrone's Dogman and Nadine Labaki's Capernaum.
Cannes 2018 Video #4: BlacKkKlansman, Fahrenheit 451 and More
Our fourth video dispatch from the 2018 Cannes Film Festival features reviews of "BlacKkKlansman," "Fahrenheit 451" and more.
Cannes 2018 Video #1: Preview
A video preview of the 2018 Cannes Film Festival!
Winners of the 2011 Toronto Film Festival
Nadine Labaki's "Where Do We Go Now?" won the coveted Cadillac People's Choice Award on Sunday at the 2011 Toronto International Film Festival. At the noncompetitive festival with no jury, this award is voted on by moviegoers on their way out of the theaters, and tallied by a formulas that equalizes for audience sizes.
