As long as the focus is on Mia and Elliot, the film is involving and moving.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The latest on Blu-ray and DVD including Coco, Darkest Hour, Murder on the Orient Express, and The Florida Project!
An article about the 2018 Academy Award nominees.
No character in “Blade Runner 2049” is more relatably human than Luv.
A review of Starz's "American Gods," a show like nothing you have ever seen before.
Marie writes: There's a glorified duck pond at the center of the complex where I live. And since moving in, my apartment has been an object of enduring fascination for Canadian geese - who arrive each Spring like a squadron of jet fighters returning from a mission in France, to run a sweeping aerial recon my little garden aka: playhouse for birds... (click to enlarge)
Marie writes: ever stumble upon a photo taken from a movie you've never seen? Maybe it's an official production still; part of the Studio's publicity for it at the time. Or maybe it's a recent screen capture, one countless fan-made images to be found online. Either way, I collect them like pennies in jar. I've got a folder stuffed with images, all reflecting a deep love of Cinematography and I thought I'd share some - as you never know; sometimes, the road to discovering a cinematic treasure starts with a single intriguing shot....
A Streetcar Named Desire (1951) Cinematography: Harry Stradling(click images to enlarge)
Editor's note: This edition of the Movie Answer Man was written by Roger Ebert before he went into the hospital for his most recent surgery -- and before the death Jan. 22 of actor Heath Ledger.
Q. While watching the most recent trailer for "Lord of the Rings: The Two Towers," I immediately recognized the music as the excellent score from "Requiem for a Dream." I am familiar with the practice of recycling music for trailers--I can't count the number of times I have heard the score from "Aliens"--but why bother, with a sequel to a hugely successful movie with a ready-made score? If it was slapped on for time's sake, I might understand, but the version I heard on the
Q. Do you ever cry at a movie? (Richard Kuzniak, Etobicoke, Ontario)