Mark Pellington

Reviews

The Last Word (2017)
Arlington Road (1999)

Blog Posts

Ebert Club

#83 October 5, 2011

Marie writes: I love photography, especially B/W and for often finding color a distraction. Take away the color and suddenly, there's so much more to see; the subtext able to rise now and sit closer to the surface - or so it seems to me. The following photograph is included in a gallery of nine images (color and B/W) under Photography: Celebrity Portraits at the Guardian."This is one of the last photographs of Orson before he died. He loved my ­camera - a gigantic Deardorff - and decided he had to direct me and tell me where to put the light. So even in his last days, he was performing his directorial role perfectly, and ­bossing me around. Which was precious." - Michael O'Neill

Orson Welles, by Michael O'Neill, 1985

Ebert Club

#45 January 12, 2011

Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...

Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)