The Dead Don't Die
A leisurely film about the end of the world, with flesh-eating and lots of jokes and a few moments of eerie beauty.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Reviews from the Toronto International Film Festival of Jonah Hill's directorial debut and the latest from Alex Ross Perry.
Emer Kinsella on "Jungle"; Zadie Smith on social media; John Landis on "Innocent Blood"; "Josie and the Pussycats" was ahead of its time; "The Florida Project" is one of the year's best films.
An interview with the director of "Beach Rats" and "It Felt Like Love."
Ben Kenigsberg predicts that "Toni Erdmann" will win the Palme d'Or.
"Inside Out" and the stranglehold of Minnesota Nice; 20th anniversary of "Kids"; Small-screen auteurism of Keith Gordon; Danny Elfman on Tim Burton; John Lasseter on the evolution of storytelling.
An excerpt from the book, "Harmony Korine: Interviews by Eric Kohn."
UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.
PARK CITY, Utah -- Rosario Dawson should be on those Sunday morning political talk shows, as a guest or a host, either way. She is so intelligent and fiercely opinionated that I forgot, for a moment, I was talking with a movie actress, and got into my Problems of the World mode.
Q. Sight & Sound has recently released the results of a poll asking what the best films of the last 25 years are. What do you think of the results of this poll? (M. Lingo, Bodega Bay CA)
After Cannes, the Toronto Film Festival is the most important in the world. Last year's festival was ripped in two on Sept. 11. I walked out of a screening, heard the news, and the world had changed. Now comes the 27th annual festival, opening today. Are movies important in the new world we occupy? Yes, I think they are, because they are the most powerful artistic device for creating empathy--for helping us understand the lives of others.
TELLURIDE, Colo.--The schedule of each year's Telluride Film Festival is as closely guarded as the Oscar winners. Until they arrive, gasping for air, in this pretty little mountain town at the 10,000-foot level, festival ticket holders have no idea what they'll be seeing. Rumors start early. At the Denver airport, waiting for the shuttle to Montrose, I was informed that Martin Scorsese's "Gangs of New York" will be sneaked here this year. That is almost certainly not true (never say never). Then again, if somebody had told me that Telluride was going to resurrect the three-screen, three-camera Cinerama process, I would have doubted it. And they are.
Q. I just saw a TV commercial for the new kids' movie "Big Fat Liar." The voice-over said it had won an "Award of Excellence" from the Film Advisory Board. Since the movie doesn't exactly look like "Citizen Kane"--who's on the board and what's with the award? (Ramin Setoodeh, Stanford CA)
Q. When I saw Larry Clark's "Another Day In Paradise" in the theater I felt it was a good movie with great acting, but Natasha Gregson Wagner's character was underdeveloped. At the time I blamed the filmmakers. Now I've seen the director's cut on DVD and found that a key scene with Wagner's character had been cut out thanks to the MPA
CANNES, France Harmony Korine has seen the future of the cinema, and it is him. Nobody else is as young, as bright, as original, as inspired. Certainly not Quentin Tarantino, who is ancient at 35.