A Hidden Life
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly…
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John McNaughton talks about the making of his underrated 1993 film, Mad Dog and Glory, on the occasion of a special edition Blu-ray release from Kino Lorber.
An update of the article dedicating Ebertfest 2018 to Roger Ebert and Mary Frances Fagan. And recognizing Ebertfest Volunteers Leonard Doyle, and Sherren (Sherry) Slade.
A dispatch on four premieres from Sundance, including films starring Michael Shannon, Logan Lerman, and Elisabeth Moss.
It starts in a girl's bedroom, the camera slowly retreating in a gentle arc around the bed where the girl lovingly pets and hugs her dog. A teenager's room is a private sanctuary, and this bed (with a blanket folded at the foot for the dog -- a bed upon a bed) is her own imaginary island.
Her name is Holly (Sissy Spacek), and her story (narrated in the first person) and her voice is as flat as Texas but colored with the awkward poetic aspirations of a teenage diarist who's writing her thoughts for herself, but also partly addressing them to some future fantasy reader. She begins:
My mother died of pneumonia when I was just a kid. My father had kept their wedding cake in the freezer for ten whole years. After the funeral he gave it to the yardman... He tried to act cheerful, but he could never be consoled by the little stranger he found in his house. [Fade to black.] Then, one day, hoping to begin a new life away from the scene of all his memories, he moved us from Texas to Ft. Dupree, South Dakota.
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Jim Thompson has been dead for 15 years now, and he never got much notice when he was alive, but all of his books are in print again--with covers showing the broads with low necklines, the desperate guys with their cigarettes and three-day beards, and always in the foreground the bottle of booze.
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