Eastwood’s conceptions of heroism and villainy have always been, if not endlessly complex, at least never simplistic.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
As of this writing, Todd Phillips’ “Joker" has earned nearly $1 billion globally, making it one of the most successful comic book movies ever released. But the discourse surrounding it will outlive this moment. No comic book-derived film since "Black Panther " has sparked more commentary, although the discussion surrounding this one has been more oppositional than anything else, and clouded by bad faith on every side.
I love a black comedy. Always have. You know, all those tragic mishaps that seem to befall Alec Guinness in the English countryside when no one is looking? But then who doesn't love an Ealing comedy. I also like "Dexter" and for similar reasons; it too, has an air of subversive glee about it, albeit darker and more graphic in nature. The appeal is never about seeing people die, though (where's the fun in that?). Nor in watching mindless torture porn like Hostel; a genre increasingly viewed as the favorite pastime of failed experiments in parenting, moreover, and thus to be avoided at all costs. I loathe the entire genre aka "Women in Danger" films as Gene and Roger once termed them. American Psycho however, is anything but a slasher film.