It’s a dancing elephant of a movie. It has a few decent moves, but you’d never call it light on its feet.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An oral history with the creative forces behind a particularly iconic episode of IFC's "Documentary Now!"
You may have forgotten how hysterically funny this spoof of film documentaries from Bill Hader, Fred Armisen, and Seth Meyers can be. It won’t be long before you remember.
The 10th anniversary of the Chicago edition of the traveling Noir City festival runs from August 17 to 23 at the Music Box Theatre.
A celebration of the late American playwright, Edward Albee.
An obituary for the legendary star of stage and screen, Elaine Stritch.
Haitian-born director Djinn Carrenard's nearly three-hour second feature is by turns enthralling and exasperating.
A sensational look at Stephen Sondheim's career through the lens of six songs.
Sheila writes: Today, October 30, is the 75th anniversary of the historic 1938 "War of the Worlds" broadcast, presented by Orson Welles and his merry band of Mercury Theater friends. In Peter Bogdanovich's book "This is Orson Welles", Welles tells Bogdanovich: "Six minutes after we’d gone on the air, the switchboards in radio stations right across the country were lighting up like Christmas trees. Houses were emptying, churches were filling up; from Nashville to Minneapolis there was wailing in the street and the rending of garments. Twenty minutes in, and we had a control room full of very bewildered cops. They didn’t know who to arrest or for what, but they did lend a certain tone to the remainder of the broadcast. We began to realize, as we plowed on with the destruction of New Jersey, that the extent of our American lunatic fringe had been underestimated." Bogdanovich later says to Welles, "The Martian broadcast didn’t really hurt you at all. Would you say it was lucky?" Welles replied, "Well, it put me in the movies. Was that lucky? I don’t know." Here is the original radio broadcast in all its mockumentary glory.
Marie writes: I can't prove it but I'm convinced they're related.
Marie writes: If you're like me, you enjoy the convenience of email while lamenting the lost romance of ink and pen on paper. For while it's possible to attach a drawing, it's not the same thing as receiving hand-drawn artwork in the mail. Especially when it's from Edward Gorey..."Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...", a children's story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey's shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey's drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969."
TORONTO – I have another few movies to see, and the awards are still to be announced, but Toronto 2005 is basically history, and now what remains is for its many wonderful films to find their audiences. There’s general agreement that this will be an autumn to remember among those who care about good films.
NEW YORK -- Woody Allen was filming his new movie down around the corner of Broadway and 19th Street the other day, and he was under a certain amount of pressure. One of his stars, Mia Farrow, was pregnant and was playing a pregnant woman, and now the doctor was speculating that she might deliver before she was finished with the role. His editor, Sandy Morse, was also pregnant, and might deliver at any moment.