TORONTO -- Toronto 1998 was an edgy festival for people like me who are convinced that anything can theoretically be a legitimate subject for a film. Movies about the Holocaust, child abuse, rape and reckless murder have had audiences cringing and critics embroiled in nose-to-nose debates in the lobbies. The director John Waters has coined a term for them: Feel-Bad Comedies. So have I: the New Geek Cinema.
TORONTO -- Joe Eszterhas hasn't become history's highest-paid screenwriter by penning quirky little stories about coming of age in Cleveland - but one of the big hits of the Toronto Film Festival's closing weekend is just such a film.