Son of the Mask
Otis the Dog
Bear
Bear Movie Reviews
Blog Posts That Mention Bear
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
The Best Show on TV is Back in the Third Season of FX’s The Bear
FX’s The Bear Continues to Reach for Greatness
FX’s The Bear Feels Like a New Chicago Classic
Abstract Methods to Madness: Aubrey Plaza on Black Bear
Sundance 2020: Black Bear, Shirley
SXSW 2019: Saint Frances, Mickey and the Bear
Thinking Outside the Box: Kyle Mooney and Dave McCary on “Brigsby Bear”
Sundance 2017: “Brigsby Bear”
TIFF 2016: “A Quiet Passion,” “Julieta,” “Two Lovers and a Bear,” “Tramps”
Sundance: “Infinitely Polar Bear”
Glengarry Bear Stearns
I Love You For Who You Are: Sly Stone (1943-2025)
Dancing With Death: Mike Flanagan on “The Life of Chuck”
Cannes 2025: The Mastermind, Young Mothers
“Nine Perfect Strangers’” Second Season is Less Insightful, Still Somewhat Fun
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
The Florida Film Festival: An Oasis for Creative Souls
Chicago Critics Film Festival Announces Full Schedule, Special Guests
Prime Video’s “The Bondsman” Takes Kevin Bacon on a Drab Trip to Hell and Back
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Red Meat: Steak ‘n Shake Goes Nazi
Women Writers Week 2025: Table of Contents
Women Develop New Models of Heroism in Festival Docs
What to Watch on Netflix: March 2025
A Salute to the Movies That Got Overlooked During Oscar Season
A Look at Every Oscar-Nominated Short This Year
Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
What to Watch on Netflix: February 2025
Sundance 2025: Omaha, Bubble & Squeak
“The Brutalist,” “Emilia Pérez” Win Big at 2025 Golden Globe Awards
The Great Performances of 2024, Part Two
The 25 Best TV Series of 2024
Two Thumbs Up! The Individual Top Tens of 2024
Kyle Mooney and Evan Winter Go Back in Time with “Y2K”
James Gunn Launches His New DCU with Clever “Creature Commandos”
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
Miyazaki, Howl, and Matters of the Heart
Black Harvest Film Festival 2024: A Reflection of a City on the Rise
Time Moves On: Jesse Eisenberg on “A Real Pain”
The Private is Public: On the 10th Anniversary of “Nightcrawler”
Let the Game Begin: “Saw” at 20
CIFF 2024: Color Book, Transplant, Alpha
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
HBO’s “The Franchise” Takes Satirical Aim at the MCU
TIFF 2024: Men of War, Fanatical: The Catfishing of Tegan & Sara, Ernest Cole: Lost and Found
TIFF 2024: Emilia Pérez, The End
TIFF 2024: Dahomey, Bird, Oh Canada
Martha’s Vineyard African American Film Festival 2024: Highlights of a Joyous Event
FX’s “English Teacher” Gets an Incomplete Grade for Now
