An interview with Alex Thompson and Kelly O'Sullivan, director and writer/star, respectively, of the CCFF-opening Saint Frances.
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
"Our slogan's 'Country First.' Lieberman and Pawlenty are 'Country First' choices. Sarah Palin will be perceived as a self-serving political maneuver. You may not only lose this election, John, you just might lose your reputation right along with it." -- prescient warning by McCain advisor Mark Salter (Jamey Sheridan) in "Game Change"
First, there's this: Austin Pendleton as Joe Lieberman. I just want to mention that casting masterstroke up-front because, even though he only gets about two minutes of screen time (and most of it is in the background) it's one of those little touches that shows the people who made "Game Change" have an eye for the telling detail. I had so much fun watching this movie. The funny thing is, it isn't exactly satire, maybe because that's already inherent in the real-life material. It's a comedy (I think), but the humor is fairly mild, certainly not as funny as Sarah Palin's public appearances actually were. I guess we're just used to her now.
Still, I thoroughly enjoyed "Game Change," which goes out of its way to demonstrate understanding and sympathy for Palin, and absolves John McCain of all responsibility for his unconscionable campaign in 2008. (Spoiler alert: It was his advisers who screwed up!) Honestly, McCain and Palin should drop down on their knees and thank everybody involved in this picture for their kindness and discretion: director Jay Roach ("Austin Powers," "Recount") and writer Danny Strong ("Recount"), who adapted the book by Mark Halperin and John Heilemann, and a top-notch cast, headed by Woody Harrelson as McCain advisor Steve Schmidt (who is really the main character), Julianne Moore as Palin and Ed Harris as McCain. It's just a shame Harris doesn't have a bigger part to play in the proceedings.
"Game Change" is patterned on redemptive Frank Capra and Preston Sturges archetypes (a dash of "Mrs. Palin Goes to Washington" and maybe quite a lot of "Hail, the Conquering Heroine" -- minus the hero's moral torment over misrepresenting himself), even if the screwball energy is missing. Although, things get fairly dark (as they often do in Capra and Sturges) when Palin shuts down and goes catatonic, overwhelmed by the advisers who are trying to make her into someone and something she is not (neither a conventional politician, nor a credible candidate for Vice President of the United States), she finally snaps out of it, drawing strength from her love of family and state and country, and "goes rogue" in the third act, rediscovering her unique voice and her true spirit. That's a generous assessment of her character, but it's left up to you to decide whether the Real Sarah Palin is someone who oughtta be in politics.Above: The Real Thing
Sarah Palin lacked the preparation or temperament to be one heartbeat away from the presidency, but what she possessed in abundance was the ability to inflame political passions and energize the John McCain campaign with star quality. That much we already knew. What I didn't expect to discover after viewing "Game Change," a new HBO film about the 2008 McCain campaign, was how much sympathy I would feel for Palin, and even more for John McCain.
John Malkovich for Mr. Hyde, yes. But Gary Sinese, surely, for Dr. Jekyll? That's sort of the way the two actors positioned themselves a week or so ago, at a benefit for Steppenwolf Theater. Actors don't often like to talk publicly about their techniques; their typical answer is that they have no idea what they did in a performance, and not a clue about how they did it.