Can You Ever Forgive Me?
Can You Ever Forgive Me? comes from a place of understanding and love that few other biopics do, and it makes this difficult character a…
Alexa Vega
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Machete Kills (2013)
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KillJoy
Matt Zoller Seitz -
Bounty Killer (2013)
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Stewardess
Peter Sobczynski -
Sleepover (2004)
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Julie
Roger Ebert -
Spy Kids 3-D: Game Over (2003)
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Carmen Cortez
Roger Ebert -
Spy Kids 2: The Island of Lost Dreams (2002)
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Carmen Cortez
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Thumbnails 9/8/14
Jack the Ripper unmasked; "Black and White" full of stereotypes; Tarantino takes over New Beverly; Words I never want to see in a review; Bryan Dechart on "The Remaining."
#179 August 6, 2013
Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at io9.com.
#170 June 5, 2013
Marie writes: Behold a truly rare sight. London in 1924 in color. "The Open Road" was shot by an early British pioneer of film named Claude Friese-Greene and who made a series of travelogues using the colour process his father William (a noted cinematographer) had been experimenting with. The travelogues were taken between 1924 and 1926 on a motor journey between Land's End and John O'Groats. You can find more footage from The Open Road at The British Film Institute's YouTube channel for the film. You can also explore their Archives collection over here.
#70 July 6, 2011
Marie writes: Gone fishing...aka: in the past 48 hrs, Movable Type was down so I couldn't work, my friend Siri came over with belated birthday presents, and I built a custom mesh screen for my kitchen window in advance of expected hot weather. So this week's Newsletter is a bit lighter than usual.
#65 June 1, 2011
Marie writes: Why a picture is often worth a thousand words...Production still of Harold Lloyd in "An Eastern Westerner" (1920)
#45 January 12, 2011
Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...
Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)
Rapid-fire Rodriguez lets passion be his guide
This is a man with a message, with a gleam in his eye. He has seen the future. He has changed his life. He has found the answers. He is telling me this at 211 words a minute. That's faster than Chris Matthews. I taped our conversation and divided the number of words by 45 minutes, which is how I know. He's actually talking faster than that, because some of those words are mine.
