Sundance 2026: Bedford Park, Ha-Chan Shake Your Booty, Take Me Home
Three films from the Dramatic Competition program at Sundance, including a nuanced stand-out.
Three films from the Dramatic Competition program at Sundance, including a nuanced stand-out.
Though its ambition surpasses its grasp, it leaves one yearning for more of this dynamic duo in the franchise’s ever-inconsistent future.
On three films from the U.S. Dramatic Competition program of Sundance 2026, including one of the best of the fest, and one of the worst.
All five of the current nominees for Best Documentary premiered at Sundance this year. Will one of these join that group next year?
On three films about teens going through it from the World Dramatic program at Sundance.
How two harrowing tales of motherhood from last year fit into a long lineage of stories about the poisonous rot of patriarchy.
The film’s director and editor sit down to discuss their long-standing collaboration, time as a cinematic medium, and being shaped by one’s surroundings.
On three films from the Premieres section at Sundance 2026, including one of the best of the entire fest.
The last Sundance seems heavy on comedies this year. Here are some thoughts on two, along with a documentary that might be the funniest movie of the trio.
On three films from the Sundance Midnight Madness program.
On three film from the World Documentary program at Sundance this year.
Our first two reviews of films in the Dramatic Competition program of Sundance.
The last Sundance in Park City is off to a good start with a truly horny film from one of its favorite sons.
The writer-director talks about his latest film, his process, and art’s ability to expand personal horizons.
FOX is launching a new thriller after the NFC Championship Game on Sunday. It’s forgettable.
Our picks for the biggest snubs of Oscar morning, including Chase Infiniti, Jafar Panahi, Eva Victor, and more.
The news stories, films, and interviews that have defined the 2025-26 awards season.
The 2026 Oscar Nominations, led by Ryan Coogler’s masterpiece.
This show is best appreciated as a wild ride.
It feels increasingly like a balm for troubled times, a reminder that nothing is more important in this world than the people we love.