Beatles Good!: The 50 Anniversary of “A Hard Day’s Night”
An appreciation of “A Hard Day’s Night” as its 50th anniversary approaches.
An appreciation of “A Hard Day’s Night” as its 50th anniversary approaches.
A Far Flung Correspondent reviews Sion Sono’s loony “Why Don’t You Play in Hell?”
On June 21, 2014, “Life Itself” opened the Hamptons Film Festival at Guild Hall in East Hampton, New York. RogerEbert.com publisher Chaz Ebert and editor-in-chief Matt Zoller Seitz were guests at the event and participated in a post-screening Q&A with Alec Baldwin and Hamptons Film Festival artistic director David Nugent afterward.
An exclusive clip from Steve James’ “Life Itself,” opening in theaters and On Demand on July 4, 2014.
FX launches three dramas in the next three weeks—”Tyrant,” “The Bridge,” “The Strain”—with mixed results.
On the eve of its 10th anniversary, a new version of Oliver Stone’s Alexander on Blu-ray demands a reappraisal.
Rian Johnson to direct “Star Wars”; The demise of Manic Pixie Dream Girls; Oliver Stone talks to middle-schoolers; Smartphones cause irritability; “The Texas Chainsaw Massacre” production tales.
An FFC considers how we will read in the future.
An interview with Emmanuelle Seigner, star of Bitter Moon, The Diving Bell and the Butterfly, and the new Venus in Fur.
The Music Box Theatre in Chicago Announces “Son of 70MM Film Festival.”
Disney destroys “Into the Woods”; OK Go’s “Writing on the Wall”; Film folklore in Iran; Video game by “Her” designer; Self-Styled Siren on “All That Heaven Allows.”
A history and appreciation of The Texas Chainsaw Massacre on the eve of the re-release of a 4k restored version for its 40th anniversary.
Steven Boone returns with highlights of the just-wrapped 20th Annual Los Angeles Film Festival.
YouTube vs. indie labels; 10 greatest movies never made; Coppola on cinema’s future; Here’s your flair; Chatting with Carl Sagan’s widow.
The best films recently added to Netflix, Hulu, and Amazon with links to RogerEbert.com’ reviews.
A review of the second season of Sundance Channel’s “Rectify”