We Exist: The Female Horror Directors of 2014
A look at female-directed horror films of 2014, including “The Babadook,” “The Strange Color of Your Body’s Tears” and “Sleepwalker.”
A look at female-directed horror films of 2014, including “The Babadook,” “The Strange Color of Your Body’s Tears” and “Sleepwalker.”
Bill Cosby: fame, narcissism and sexual violence; Chris Kyle’s unverifiable legacy; Godard’s rarest film; The last true hermit; Why “Unbroken” tells the wrong tale of triumph.
An appreciation of Joseph Sargent, Director of many classic television and theatrical films, including “The Taking of Pelham 123.”
An analysis of “Leviathan” and interview with its director.
A letter to Angelina Jolie about the casting of her upcoming take on “Cleopatra.”
An interview with Rupert Wyatt, director of “The Gambler.”
An interview with Sienna Miller, star of “Foxcatcher” and “American Sniper.”
An interview with Jean-Pierre and Luc Dardennes, directors of “Two Days, One Night.”
“Legend of Korra” is subversive; 50 underground filmmakers; How headlines change the way we think; The millennial job paradox; Michelle MacLaren is the best director on TV.
An FFC comments on Roger Moore’s best James Bond film, “The Spy Who Loved Me.”
An interview with Ava DuVernay and David Oyelowo, director and star of “Selma.”
Shatterglass Studios presents its exclusive video compiling footage from Ebertfest 2014.
A guide to the latest and greatest on Netflix, On Demand, and Blu-ray/DVD, including “Guardians of the Galaxy,” “Magic in the Moonlight,” “Frank,” and Criterion editions of “Safe” and “Time Bandits.”
A piece on cinema of 2014 that addressed racial issues in the year after such progress with films like “12 Years a Slave.”
Hollywood’s toxic addiction to franchises; Looking back on “Wolf of Wall Street”; “Avatar” left no pop culture footprint; Elf on the Shelf is dangerous; North Korea is not funny.
Did North Korea order cyberattack on Sony?; The prestige freak show; “Hunger Games” is dangerous; The strangeness of “Gone with the Wind”; Alfred Hitchcock’s final days.
A piece on the 1000-week run of “Dilwale Dulhania Le Jayenge.”