Book Preview: “Cinematic Overtures: How to Read Opening Scenes” by Annette Insdorf
A preview of Annette Insdorf’s new book, “Cinematic Overtures: How to Read Opening Scenes.”
A preview of Annette Insdorf’s new book, “Cinematic Overtures: How to Read Opening Scenes.”
A review of Spike TV’s adaptation of Stephen King’s The Mist.
A report on two excellent films from this past weekend’s BAM from Stephen Cone and Jim McKay.
Easily the silliest King Kong movie ever made, but also one of the most gloriously enjoyable.
A look back at all of Roger’s reviews of films made by Pixar Animation Studios.
Filmmaker Ira Sachs (“Forty Shades of Blue,” “Little Men”) talks about the
impact of his first feature, “The Delta,” on his life and career, and the lessons he drew from
its production.
An appreciation of “The Blackcoat’s Daughter”; A letter to my mother; “Happy Campers” deserves classic status; Relevance of “The House is Black”; In praise of “Old Enough.”
An interview with the director of “Score: A Film Music Documentary” and one of its subjects.
A review of the new book “Movies Are Prayers” by Josh Larsen.
An interview with Ana Lily Amirpour, writer/director of “The Bad Batch.”
An interview with director Aisling Walsh about her Maud Lewis film, “Maudie.”
An interview with George Lepauw, Executive Director of the Chicago International Movies and Music Festival.
A review of the new Syfy series “Blood Drive,” which starts tonight at 9pm.
Hulu imports a new mystery series starring Billy Campbell.
An essay about “Personal Shopper” and “Raw” from the June 2017 edition of online magazine Bright Wall/Dark Room.
The legendary Sam Elliott talks about playing a version of himself in the new film, “The Hero.”
Lisa Nesselson on the true victim in the battle between Cannes and Netflix.