Milos Forman, the Witness
Some directors are all about the visual symbolism, but Forman was more of a people-watcher.
Some directors are all about the visual symbolism, but Forman was more of a people-watcher.
A tribute to the late Oscar-winning filmmaker, Milos Forman.
An interview with director Brad Anderson about his new political thriller, “Beirut.”
An interview with the directors and stars of “The Endless.”
Part II of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018.
Part I of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018. We will include the film critics in a separate round-up.
An interview with directors Chapman & Maclain Way about their addictive Netflix documentary series, “Wild Wild Country.”
A review of Netflix’s fun “Lost in Space” reboot.
A review of Rellik, the BBC series now imported to Cinemax.
The Passion of Emma González; Elizabeth Wood on “White Girl”; A driverless future; How to trick AI; The next great action director.
An excerpt from the latest edition of the online magazine, Bright Wall/Dark Room.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
“A Quiet Place” is John Krasinski’s breakthrough as a triple-threat entertainer, but it’s been a long time coming.
An interview with the director of You Were Never Really Here.
On the Criterion edition of the 1930 film “King of Jazz.”
A review of the classic 1979 film, “Being There” by a Far-Flung Correspondent.
A tribute to Isao Takahata, co-founder of Studio Ghibli and a master of animation.
The latest on Netflix and Blu-ray, including Call Me by Your Name, Insidious: The Last Key, and Jumanji: Welcome to the Jungle.