Young Einstein
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Serious
Serious Movie Reviews
Blog Posts That Mention Serious
Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People
Serious Oscar Contenders Unveiled at 2019 Indy Shorts International Film Festival
Don’t Take It Too Serious: Sam Elliott on “The Hero”
A Satire, Serious Melodrama, Rock Musical, Comedy, Violent Exploitation Picture, Skin Flick and Moralistic Expose: On “Beyond the Valley of the Dolls”
The Los Angeles Asian Pacific Film Festival Addresses Industry Xenophobia with “The Serious Business of Diversity” Panel
TV Review: BBC America’s “Intruders” Takes Itself Too Seriously
The Coens are Seriously wrong
The Coen Brothers and Serious quantum theory
John Hughes: When you’re 16, you’re more serious than you’ll ever be again
Alan Moore on American comic books & graphic novels: Why so serious?
Superheroes. Seriously.
Pulp Fiction: Nothing serious?
A Serious Man: Kafka in Minneapolis
A screenwriter and a neuroscientist on randomness, God and A Serious Man
A Serious Man and His Music
Steve Park: A funny man, serious and significant
“Talking faux-seriously about juvenilia…”
Garr gets serious about her image
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
FX Navigates Familiar Comic Waters with Flair in Clever “Adults”
Cannes 2025: Splitsville, Love Me Tender, Nino
Cannes 2025: Yes, Woman and Child, The Six Billion Dollar Man
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
“Nine Perfect Strangers’” Second Season is Less Insightful, Still Somewhat Fun
“Cookie’s Fortune”: A Little Southern Comedy
Chicago Critics Film Festival 2025 Preview
“Expedition 33” Is An Exercise In RPG Artistry
Apple TV’s “Government Cheese” is Almost Great
Female Filmmakers in Focus: The Films of Euzhan Palcy
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: It Ends, The Threesome, Caper
The Idealist’s Journey
More Than Rage: Rungano Nyoni and Susan Chardy on “On Becoming a Guinea Fowl”
Screwball in Vermont: “Baby Boom”
I Think Of Them As The Work: Gene Hackman (1930-2025)
A Preview of the 2025 Rendez-Vous with French Cinema
A Goodbye to Two Legends: Roberta Flack and Jerry Butler
Sundance 2025: Table of Contents
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
Sundance 2025: Life After, Sugar Babies, Seeds
Sundance 2025: The Dating Game, Prime Minister, How to Build a Library
Out of the Ashes: Let the 2025 Oscars Be a Telethon for Wildfire Relief
Ten Shocking Omissions from the 2025 Oscar Nominations
Oscar Nominations Predictions 2025
Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”
Two Thumbs Up! The Individual Top Tens of 2024
2025 Sundance Film Festival Announces Ambitious Program
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
Appreciating the Brushstrokes: Pre-Computer Animation and the Human Touch
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
CIFF 2024: The Light of Truth: Richard Hunt’s Monument to Ida B. Wells, Time Passages, Slice of Life: The American Dream. In Former Pizza Huts
André Holland Talks Deleted Scenes from “42”
10 Underrated Horror Movies That Roger Ebert Loved (and Where to Watch Them)
When You’re Angry, You’re Already Losing: Guy Maddin, Evan Johnson, and Galen Johnson on “Rumours”
