Alice Through the Looking Glass
There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…
Kenji Mizoguchi's "Sansho Dayu" (aka "Sansho the Bailiff").
The ballots came in from all over the web. Edward Copeland tabulated them (and found nice stills for all the winners), under the supervision of Nobel Peace Prize-winner Jimmy Carter. OK, I don't know about that last part, but Edward did some great good work here.
He's calling it "The Satyajit Ray Memorial Anything-But-Definitive List of Non-English Language Films." Copeland writes: "The name comes, of course, from the great Indian director who failed to land any of his acclaimed works on the final list of 122 nominees."
In all 174 people chose their top 25-or-so non-English-language talkies made before 2002 (nominees had to be at least five years old). The Top 100 is here -- accompanied by comments from people who chose them. (Comments and vote totals for the other 22 nominees are here.)
My top choice was Kenji Mizoguchi's "Sansho Dayu" (which came in at #46 and is available on a Criterion DVD), about which I wrote:
That seems a little florid to me now (it was the night before I left for Toronto, and I was trying to tie together the imagery in the first and last shots of a masterpiece), but the emotions, and the awe, are genuine.
If I had to choose just one movie –- one movie –- above all others on this list, Mizoguchi's would be it. I've long felt that if there were a god, the closest expression we're likely to find on this earth is in this movie. It's not the only film on my list that gives me goosebumps whenever the title is mentioned, but I don't believe there's ever been a greater motion picture in any language. This one sees life and memory as a creek flowing into a lake out into a river and to the sea.
Here's the Top 25:
1. "The Rules of the Game" (Jean Renoir) 2. "The Seven Samurai" (Akira Kurosawa) 3. "M" (Fritz Lang) 4. "8 1/2" (Federico Fellini) 5. "Bicycle Thieves" (Vittorio De Sica) 6. "Persona" (Ingmar Bergman) 7. "Grand Illusion" (Jean Renoir) 8. "Aguirre, the Wrath of God" (Werner Herzog) 9. "The Battle of Algiers" (Gillo Pontecorvo) 10. "The 400 Blows" (Francois Truffaut) 11. "Fanny and Alexander" (Ingmar Bergman) 12. "Tokyo Story" (Yasujiro Ozu) 13. "Rashomon" (Akira Kurosawa) 14. "Ikiru" (Akira Kurosawa) 15. "The Seventh Seal" (Ingmar Bergman) 16. "Ran" (Akira Kurosawa) 17. "Jules and Jim" (Francois Truffaut) 18. "The Conformist" (Bernardo Bertolucci) 19. "La Dolce Vita" (Federico Fellini) 20. "Contempt" (Jean-Luc Godard) 21. "Breathless" (Jean-Luc Godard) 22. "Ugetsu" (Kenji Mizoguchi) 23. "Playtime" (Jacques Tati) 24. "Au Hasard Balthazar" (Robert Bresson) 25. "Andrei Rublev" (Andrei Tarkovsky)
Stop wasting your life. Get watching.
This message came to me from a reader named Peter Svensland. He and a fr...
Separating the artist from the art isn't as easy as it sounds.
Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.