Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
"Not many people know what their life's worth,'' the hero of "Payback'' tells us right at the beginning. "I do. Seventy grand. That's what they took from me. And that's what I'm gonna get back.'' If you absorb that statement and take a close look at the title, you'll have a good idea of what the movie's about. The only remaining question: Is it about it entertainingly? Yes.
The movie's publicity makes much of the fact that the hero, named Porter, is a bad guy. It quotes the director, Brian Helgeland: "I wanted to see a bad guy as the hero, but I didn't want to make excuses for him.'' Of course, if the bad guy is played by Mel Gibson, you don't have to make the same kinds of excuses as if he's played by, say, James Woods. Gibson has a whimsical charm, a way of standing outside material like this and grinning at it. Oh, he's earnest and angry, blood-soaked and beaten nearly to death. But inside, there's a grin. His fundamental personality is comic--he's a joker and a satirist--and he only rarely makes an effort to hide that side (as he did in, say, "The Year of Living Dangerously'').
Brian Helgeland has a sense of style, too (he co-wrote "L.A. Confidential''), and we get the sense that "Payback'' is more interested in style than story; it wants to take a criminal's revenge and make it the story of a guy whose mission edges into monomania. He wants exactly $70,000, no more, no less. More than once in the movie, Porter's enemies try to pay him more than $70,000. They're missing the point. (Porter could save himself a lot of wear and tear by taking $130,000 and mailing the rest back, but you know how it is.) The set-up contains a fundamental double-cross that I dare not reveal, and that will make it a little hard to discuss certain other aspects of the story. Perhaps selected details will give you the flavor. As when Porter's friend Val (Gregg Henry) shows him the weekly routine of some Chinese mobsters picking up cash. "They're not wearing their seat belts,'' Porter observes, and of course that leads to the logical conclusion that the way to get their money is to crash head-on into their car.
There are also action gags involving severed gas lines on a car, a trick telephone, blackmail by cell phone, kidnapping, and a scene in which Porter comes closer than anyone since James Bond to being killed crotch-first. The film also contains a hooker with a heart of gold (Maria Bello), a two-timing dame (Deborah Kara Unger), a laconic cop (Bill Duke), a big mobster (Kris Kristofferson) and an even bigger one (James Coburn).
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