Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project. He also discusses the ultimate fate of…
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun's "Grisgris" is a mixed bag. So it goes sometimes at Cannes.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

The full Oscar-nominated Documentary Shorts program runs 130 minutes, and will play at 7 pm. Friday, Feb 10; 2 p.m. Saturday, 5 p.m. Sunday, and 7 p.m. Monday through Wednesday.
I've seen bits and pieces of this footage before, but shown as one continuous shot, it's overwhelming. A wave of unimaginable size pushes houses, trucks and cars ahead of it, as tiny desperate figures struggle to run up a hillside. It is the extended opening of Lucy Walker's "The Tsunami and the Cherry Blossom," one of this year's five nominees for the best documentary short subject Oscar.
Four of these five nominees will play once daily this weekend and then Feb. 20-22 at the Music Box. It's part of the academy's recent program of finding venues for shorts, which may win Oscars but can rarely find audiences. Considering that they were selected from a long list of finalists, you can be confident these will all be wonderful.
The tsunami film was nominated after winning three prizes at Sundance 2011. Its director, Lucy Walker, had originally intended to film Japan's culturally significant cherry blossom season and decided to go ahead, despite the devastating earthquake and tsumani of March 11, 2011. She centered on the hardest-hit area, Thoku, and after the home video footage that opens her film, she talked to many eyewitnesses, one whose best friend was safe but then ran back to rescue his new car and was swept away. The tears are fresh in the eyes of these survivors and rescue workers.
Then cherry blossom season begins. This is the harbinger of spring in Japan, and represents rebirth and renewal. But it is a short season; so short that the Japanese have a word for each of the 10 stages in the life of a blossom, as it buds, flowers, basks in glory, and then showers from the trees. This to the Japanese is a symbol of mono no aware, the essence of Japanese culture, which is a bittersweet sensitivity to the impermanence of all things.
That the trees blossomed again after the devastation may have been small consolation for those who lost family, loved ones and homes. But we visit a 900-year-old cherry tree and reflect that its blossoms have died that many times, and always came to life again.
I haven't had a chance to see the other nominees.The other three playing in this series are described as:
"Incident in New Baghdad" by James Spione, "about one of the most notorious incidents of the Iraq War, the July 2007 slayings of two Reuters journalists and a number of other unarmed civilians by U.S. attack helicopters. (25 min.)
"Saving Face" by Daniel Junge and Sharmeen Obaid Chinoy: "Every year hundreds of people — mostly women — are attacked with acid in Pakistan." (40 min.)
"The Barber of Birmingham: Foot Soldier of the Civil Rights Movement" by Gail Dolgin and Robin Fryday: "James Armstrong is a barber, a 'foot soldier' and a dreamer whose barbershop in Birmingham, Ala., has been a hub for haircuts and civil rights since 1955." (25 min.)
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project....
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun'...
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...