In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_5tzuowodx4f3ngozwzozwmdy9ze

War Story

Director Mark Jackson’s drama is a chilly study in grief starring Catherine Keener as a war-zone photographer shattered by her experiences in Libya.

Thumb_hercules

Hercules

Dwayne Johnson tries, but he’s surrounded by poor CGI and a terrible adaptation of yet another comic book. Ian McShane steals what little movie there…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Osama

  |  

The movies are a little more than a century old. Imagine if we could see films from previous centuries -- records of slavery, the Great Fire of London, the Black Plague. "Osama" is like a film from some long-ago age. Although it takes place in Afghanistan, it documents practices so cruel that it is hard to believe such ideas have currency in the modern world. What it shows is that, under the iron hand of the Taliban, the excuse of "respect" for women was used to condemn them to a lifetime of inhuman physical and psychic torture. No society that loves and respects women could treat them in this way.

The heroine of the film, Osama (Marina Golbahari) is a pre-adolescent in a household without a man. Under the rules of the Taliban, women are not to leave the house without a male escort, or take jobs, so Osama, her mother and grandmother are condemned to cower inside and starve, unless friends or relatives bring food. They do not. Finally the grandmother suggests that Osama cut her hair and venture out to find work, pretending to be a boy.

This story is told against a larger context of institutional sadism against women. An opening scene shows women in blue burkhas holding a demonstration -- they want the right to take jobs -- and being attacked by soldiers who begin with water cannons and eventually start shooting at them. Obviously Osama is risking her life to venture out into this world, and soon she's in trouble: She is snatched away from her job and sent to a school to indoctrinate young men in the ways of the Taliban.

There it is only a matter of time until her real sex is discovered. The punishment handed down by a judge is revealing: This child becomes one of the many wives of a dirty old man, a mullah who keeps his young women as prisoners. At that, Osama gets off lightly; another woman in the film is buried up to her neck and stoned for ... well, for behaving like a normal person in a civilized society.

The movie touches some of the same notes as "Baran" (2001), an Iranian movie about an unspoken love affair between a young Iranian worker and an Afghan immigrant who is a girl disguised as a boy. The film is not as tragic as "Osama," in part because Iran is a country where enlightened and humanistic attitudes are fighting it out side by side with the old, hard ways. But in both cases Western audiences realize that to be a woman in such a society is to risk becoming a form of slave.

What is remarkable is the bravery with which filmmakers are telling this story in film after film. Consider Tahmineh Milani's "Two Women" (1999), which briefly landed her in jail under threat of death. Or Jafar Panahi's harrowing "The Circle" (2000), showing women without men trying to survive in present-day Tehran, where they cannot legally work, or pause anywhere, or be anywhere except inside and out of sight. The real weapons of mass destruction are ... men.

Who will go to see "Osama?" I don't know. There is after all that new Adam Sandler movie, and it's a charmer. And "The Lost Skeleton of Cadavra" is opening, for fans of campy trash. I'm not putting them down. People work hard for their money, and if they want to be entertained, that's their right. But brave dissenting Islamic filmmakers are risking their lives to tell the story of the persecution of women, and it is a story worth knowing, and mourning. In this country Janet Jackson bares a breast and causes a silly scandal. The Taliban would have stoned her to death. If you put these things into context, the Jackson case begins to look like an affirmation of Western civilization.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Exploring Israel-Palestine through Movies: Part 1

The first part in a four-part series on what film can teach us about the relationship between Israel and Palestine.

Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers

Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.

Simply Do it: Talking with Woody Allen About Directorial Style

An interview with Woody Allen about his new film, "Magic in the Moonlight."

Reveal Comments
comments powered by Disqus