The Great Wall
Unlike any American blockbuster you've seen, a conservative movie with action set pieces that are actually inventive and thrilling enough to be worthwhile.
Few things reveal a nation better than what it censors. In America, the MPAA has essentially eliminated adult sexuality from our movies, but smiles on violence and films tailored for the teenage toilet-humor market. Now consider "The Circle," a film banned in Iran. There is not a single shot here that would seem offensive to a mainstream American audience--not even to the smut-hunting preacher Donald Wildmon. Why is it considered dangerous in Iran? Because it argues that under current Iranian law, unattached women are made to feel like hunted animals.
There is no nudity here. No violence. No drugs or alcohol, for sure. No profanity. There is a running joke that the heroines can't even have a cigarette (women cannot smoke in public). Yet the film is profoundly dangerous to the status quo in Iran because it asks us to identify with the plight of women who have done nothing wrong except to be female. "The Circle" is all the more depressing when we consider that Iran is relatively liberal compared to, say, Afghanistan under the Taliban.
Jafar Panahi's film begins and ends with the same image, of a woman talking to someone in authority through a sliding panel in a closed door. In the opening shot, a woman learns that her daughter has given birth to a girl when the ultrasound promised a boy; she fears angry reprisals from the in-laws. In the closing shot, a woman is in prison, talking to a guard. In closing the circle, the second shot suggests that women in strict Muslim societies are always in prison in one way or another.
The film follows a series of women through the streets of a city. We follow first one and then another. We begin with two who have just been released from prison--for what crime, we are not told. They want to take a bus to a city where one of them hopes to find a safe harbor. But they have no money and lack the correct identification. They run through the streets and down back alleys at the sight of policemen, they crouch behind parked cars, they ask a ticket seller to give them a break and sell them a ticket even though they have no ID. At one point it's fairly clear that one of the women prostitutes herself (off-screen) to raise money to help the other. Men all over the world are open-minded about exempting themselves from the laws prohibiting other men from frequenting prostitutes.