Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
Mahalia Jackson was a great singer and a great lady, two qualities that become abundantly clear in the new documentary "Mahalia." She was also a person of courage and strength as we can see in footage almost entirely devoted to her final concert tour in the late summer of 1971. She'd been in uncertain health for years her heart was the chief concern and yet she undertook a grueling series of one night stands in England, Germany and Scandinavia.
She sang in churches and auditoriums, concert halls and outdoor arenas, and sometimes it was hot and sometimes it was raining. She began to tire. She broke off in the middle of a song in Germany and went backstage, where they wanted to call a physician, but she insisted on going back out for an encore. On Sept. 24, 1971, she was hospitalized in Germany with severe heart trouble, and on Jan. 27 of the next year she died in her adopted hometown, Chicago.
This is not, then, a documentary record of Mahalia Jackson at the height of her powers. For that we have to turn to her recordings and to such memories as her singing of "Precious Lord" during the 1963 March in Washington. During this tour we can plainly see that she was weakened, and in the phrasing of "We Shall overcome" (sung in a Swedish church with a feeling that causes the spine to tingle) there are choices that betray a certain shortness of breath. Yet the spirit is intact.
We see her singing, mostly. This isn't a showall and tellall music documentary in the style of "Don't Look Back" or "Mad Dogs and Englishmen"; it's simply a record of Mahalia, the person and the performer, during some of her last months.
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A piece on the experience gained from seeing bad movies.
This message came to me from a reader named Peter Svensland. He and a fr...
Remember Pearl Harbor and remember how prejudice shaped history.