They have finally done it: Made the most disgusting, contemptuous insult to decency ever to masquerade as a documentary. They have been trying for a long time. They started fairly slowly, with "Mondo Cane," a trashy collection of so-called oddities of human behavior that managed to fool a few film critics too stupid to see that most of the scenes were faked. Then they made "Women of the World," which was a great movie if you like to see women wrestling in mud while crypto-Nazis get drunk and cheer them on.
Their next movie was "Africa Addio," and with this one their racism was already out in the open. Their thesis was a simple one: After the benevolent and responsible white settlers were driven out by the Mau-Mau, savagery and slaughter came down upon the land. The lengths they were willing to go for an effect were dismaying. To illustrate how the Africans were killing protected species, for example, Jacopetti and Prosperi set up scenes in which rare animals were slaughtered.
Some of the footage in "Africa Addio" was apparently real, but not a lot of it. And the planned execution of a rebel in the Congo was postponed for 24 hours so that Jacopetti and Prosperi could get there with their cameras and film the death. Some money reportedly changed hands in that case. The film was racist and slanderous enough to provoke a public denunciation from Arthur Goldberg, then our UN ambassador, but that did not prevent it from finding a booking here. And the whole distasteful history of these filmmakers was not enough to keep "Farewell Uncle Tom" out of town.
No doubt this movie is aimed at the "black market." The ads and the spoken narration dwell at length on the evil of slavery, about how Africans were brought to America and mistreated and tortured, and how terrible that all was. The trouble is, the narration is only a cover for the movie's real purpose, which is sadistic.