Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
An FFC writes about the use of Giuseppe Verdi's "Dies Irae" in "Mad Max: Fury Road".
An FFC looks back at Prashant Bhargava's only film after his recent passing.
An essay on John Glen's 1985 Bond film, "A View to a Kill," in honor of its thirtieth anniversary.
An FFC reviews "The Motel Life", which just played at Ebertfest.
A review of Ramin Bahrani's Goodbye Solo from a far-flung correspondent.
A eulogy for a young boy killed by police in Rio de Janeiro.
An FFC reviews Jodoroswky's The Dance of Reality.
Our Far-Flung Correspondent Brings Explosive Polish 1980s Sci-Fi to NYC
"Dear White People" director Justin Simien, editor Phillip J. Bartell, composer Kathryn Bostic and cinematographer Topher Osborn at the Film Independent Directors Close-Up series.
An essay on the opening of "Life Itself" in Mexico City.