The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Vulcan survivor's guilt: Why J.J. Abrams should make Mr. Spock the hero of the new "Star Trek" franchise
May Contain Spoilers
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies. It is the single development that most distinguishes the original series from Abrams’ reboot, an event so boldly imagined that it marks the filmmakers’ new, blank canvas with a hideous dark stain.
Roger Ebert was an inspiration for disabled people
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
My homages to Ray Harryhausen: age 9 to 19
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was just a kid, of how he was inspired by Willis O'Brien's pioneering special effects, and of how that led him to his grand career in the field of stop-motion animation. In some sense, Harryhausen inspired me in the same way that O'Brien did him. I'm not exaggerating when I say that he changed my life.
My Ten Greatest Movies
May Contain Spoilers
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love his lists.
To Roger, from far-flung friends
Longtime readers of the Chicago Sun-Times are familiar with Roger Ebert's "One-Minute Reviews." These are capsule reviews (roughly 75-150 words or so), condensing his responses to current movies. As any writer knows, the short versions can be harder to write than the full-length ones.
Inside Kubrick's Room 237
"Room 237" is a captivating and engrossing new documentary exploring the covert symbols and whacked-out theories that have obsessed ardent fans of Stanley Kubrick's 1980 horror film, "The Shining." From a personal secret statement about the Holocaust to a cryptic confession about his involvement in a supposed NASA cover of the Apollo 11 moon landing, "Room 237" offers the wildly diverse interpretations of five obsessed film fanatics regarding Kubrick's possible hidden intentions. Katherine Tulich interviewed the film's LA based director Rodney Ascher and producer Tim White for this video report.
A beauty pageant Gloria Steinem would love
May Contain Spoilers
Women's History month is just the right time to watch, "Miss Navajo," a documentary that premiered at Sundance in 2007 and was broadcast on PBS the same year. The title alone may turn people away if you are, like me, not a big fan of beauty pageants but Miss Navajo is the kind of pageant that perhaps even Gloria Steinem could get behind.
A little black dress makes the world go round
With the passing of Andy Williams, I keep imagining his golden tenor singing Henry Mancini's "Moon River." The song talks about crossing life in style. "Breakfast at Tiffany's" is all about fashionable cafe society and love; in an adult fairy tale, you can have both even if you are two drifters.
The director Gregory Nava once commented, "Whenever any question of style or taste in dress comes up, I simply ask myself, 'What would Fred Astaire have done?'" Audrey Hepburn is Astaire's female equivalent: sophistication mixed with fizzy fun.
In memory of Donald Richie
More than anyone else, Jeannette Hereniko introduced me to the concept of the cinema of the Pacific Rim. I knew Donald Richie through his books, and in particular learned from him about Ozu. More than anyone else, he was responsible for the introduction of Japanese films to the West, Particularly when he brought a group of great titles to the Venice Film Festival, circa 1960. He also wrote fiction and on Japanese society, and a wonderful autobiographical travel book, The Inland Sea, about a young GI who returned to Japan after WWII and stayed, inspired a film. Here is Jeanette's appreciation of Donald, who died on Feb. 19. Roger
Steven Spielberg: My animated tribute
In my copy of his book "Scorsese," Roger Ebert wrote these words: "Every movie lover needs a hero."
I've found mine in Steven Spielberg.
Spielberg has been my hero ever since I, in my childhood, saw his more popular films (" Jaws," "Temple of Doom," "Hook," " E.T.," "Close Encounters," et al.), but recently, as I covered areas in his filmography I hadn't before, and doubled back to some that I didn't quite remember, I was struck by how much he really is my hero.