In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_phik97f8m9qtflvglrkcrv7t6z

Goodbye to Language

Jean-Luc Godard's latest free-form essay film may be, more than anything else, a documentary of a restless mind.

Thumb_the_great_invisible_movie_poster

The Great Invisible

Winner of the SXSW Grand Jury Prize for Documentary, the film is strongest when it focuses on the micro rather than the macro. How the…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#234 September 3, 2014

Sheila writes: Who doesn't love a good title sequence? I have my favorites. What are yours? The Art of the Title is a wonderful site that focuses on title sequences and in a recent post Ben Radatz and Bill Perkins write, "There are certain narrative, technical, and graphic techniques for which title design is an ideal venue. Because of its short format and creative license — and sometimes because of their budgets — title sequence real estate is often used to explore elaborate, abstract worlds previously unknown or unseen. For this reason — combined with an enduring human fascination with how things tick — Inner Workings is a theme that is frequented by a broad spectrum of genres (though, to be fair, most often by sci-fi and fantasy)." They break down some of their favorite title sequences, and how the sequences work visually and thematically. Lots of food for thought! Here's the whole post. Enjoy!

Continue reading →

"Kill Bill" and the love of cinema

May Contain Spoilers

It's hard to come up with many directors willing to take the leaps of faith that Quentin Tarantino does in every scene of his every movie. It's even harder to come up with any who have the talent to back-up even trying. The biggest reason Tarantino has such a huge following may be how he goes all-out with seemingly little or no concern for crashing -- which, amazingly, he never seems to do.

Continue reading →

Ebertfest: Synecdoche, Champaign-Urbana

Primary_eb20100324filmfestivals06100329992ar

Charlie Kaufman, the writer and director of "Synecdoche, New York" (2008), my choice for the best film of the decade, will appear after the screening of his masterpiece at Ebertfest 2010. The 12th annual festival will be held April 21-25 at the landmark 1,600-seat Virginia Theater in Champaign-Urbana, and for the first time ever, all festival Q&A sessions and panel discussions will be streamed live on the Internet.

Continue reading →

#3: March 24, 2010

I AM SO PROUD that eight of the Far-Flung Correspondents will be attending Ebertfest 2010, and so sincerely moved that they're providing their own tickets! A shout-out to Ali Arikan, Seoungyong Cho, Weal Khairy, Michael Mirasol, Omar Moore, Omer Mozzafar, Gerardo Valero, and Grace Wang. Only Robert Tan, who has been under the weather, will be missing. They're all bloggers, and will be on a panel Friday morning about the Global Web of Filmlovers.

Continue reading →

The best films of 2009

Since Moses brought the tablets down from the mountain, lists have come in tens, not that we couldn't have done with several more commandments. Who says a year has Ten Best Films, anyway? Nobody but readers, editors, and most other movie critics. There was hell to pay last year when I published my list of Twenty Best. You'd have thought I belched at a funeral. So this year I have devoutly limited myself to exactly ten films.

Continue reading →

CIFF: All our capsule reviews

Primary_eb20071009filmfestivals0471009001ar

UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.

Continue reading →

Fest ends with the best

CANNES, France -- Why did they save the best for last? "Songs From The Second Floor" and "In The Mood For Love," two brilliant final entries in this year's Cannes Film Festival, played over the weekend, as the hotels were emptying and the traffic jams clearing.

Continue reading →

Bjork stars in Dogma movie

CANNES, France -- A Danish film set in America but filmed in Sweden with stars from Iceland, France and the United States won the coveted Palme d'Or here Sunday night, at the 53rd Cannes Film Festival. Lars Von Trier's "Dancer In The Dark" picked up the top prize even though it got the most negative review in the recent history of Variety, the show biz bible. And its star, the Icelandic pop singer Bjork, won as best actress even though von Trier insists she is not an actress at all.

Continue reading →