Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The latest and greatest on Blu-ray and DVD, including The Neon Demon, The Wailing, Central Intelligence, and more.
A news brief on Saturday's Ebert Tribute event, which celebrated director Agnès Varda.
An interview with Matt Ross, writer/director of "Captain Fantastic."
A preview of the 2016 version of the Chicago film lovers' event, including more than two dozen Chicago premieres.
A TIFF 2015 review of two films starring Ellen Page, Into the Forest and Freeheld.
Q. A blogger named Brian at takes issue with your remarks about Paul Greengrass' long takes in "The Bourne Ultimatum," writing: "I don't recall a single take in this movie that was more than about three seconds long. Either Greengrass really does a spectacular job of not 'calling attention' to those long takes, or Ebert saw a different movie. But it's very strange, no matter what." (From goneelsewhere.wordpress.com:) Who's right?
After Cannes, the Toronto Film Festival is the most important in the world. Last year's festival was ripped in two on Sept. 11. I walked out of a screening, heard the news, and the world had changed. Now comes the 27th annual festival, opening today. Are movies important in the new world we occupy? Yes, I think they are, because they are the most powerful artistic device for creating empathy--for helping us understand the lives of others.
TORONTOWaiting in the lobby of the Elgin theater Friday night, I talked to a guy who had seen 45 films in this year's Toronto Film Festival: "Yesterday I saw a $60 million movie I can hardly remember, and a $40,000 film I'll never forget."