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Goodbye to Language

Jean-Luc Godard's latest free-form essay film may be, more than anything else, a documentary of a restless mind.

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The Great Invisible

Winner of the SXSW Grand Jury Prize for Documentary, the film is strongest when it focuses on the micro rather than the macro. How the…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Pixar's Moonrakers

La Luna available via VOD on YouTube.

The traditional end-of-the-year list-making craze is bound to dominate the Internet for the entire month of December (as well as stir many a Twitter feud). It's hardly a stretch to foresee that most of the upcoming Top 10 lists will be dominated by three movies featuring remarkable kids. Benh Zeitlin's "Beasts of the Southern Wild", Wes Anderson's "Moonrise Kingdom" and the Dardenne brothers' "The Kid with a Bike" all featured children as characters whose temperament, imagination and sheer physical energy couldn't be contained by the (very different) worlds which they happened to inhabit.

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Ebertfest in Exile II

APRIL 25, 2008--Every year I keep meaning to include "Joe vs. the Volcano" in Ebertfest, and every year something else squeezes it out, some film more urgently requiring our immediate attention, you see. The 1990 John Patrick Shanley film, starring Tom Hanks and Meg Ryan, was about a wage slave in a factory where dark clouds lower o'er the sky; he is told he has a Brain Cloud, with only five months to live. How this leaves him to become a candidate for human sacrifice in the South Seas follows a long and winding road, in a film that was a failure in every possible way except that I loved it.

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'Volcano' Erupts With Surprises

There is, of course, no such thing as a movie "so bad, it's good." If it is good, it is not bad. This is obvious to everyone except those who make up lists of "good bad movies." Nor should there be such a thing as a film you're ashamed to admit you like. If it is a good film, where is the shame?

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