Mechanic: Resurrection suffers from a storyline and script that strains credulity and insults intelligence even by the low bar set by the majority of contemporary…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with writer/director/editor Stephen Cone about "Henry Gamble's Birthday Party."
A reprint of an article by Greg Carpenter about the Confederate Flag.
The 2014 Toronto Film Festival opened with "The Judge," starring Robert Downey Jr. and Robert Duvall, and we were there.
There is a kind of shyness, a modesty, about Francis Ford Coppola that is so surprising. Here is the director of "The Godfather," and the epic "Apocalypse Now," and the paranoid psychodrama "The Conversation," and he talks about whether he has the right to put his name above the title. Kids out of film school put their names on their first films, and here he is explaining why his movies are called "Mario Puzo's The Godfather" and "Bram Stoker's Dracula" and "John Grisham's The Rainmaker."
There is a large electric billboard in the Las Vegas airport, right above luggage area 3, which flashes the following messages, one after another:
LOS ANGELES--Winning an Oscar, it is said, means an actor gets a pass for a year or two. For a brief moment he seems to be the master of his destiny. Tommy Lee Jones won the Oscar in March, for his work in "The Fugitive," but by then his Oscar surge was already well under way, as if Hollywood had anticipated the award. He is one of the busiest actors of 1994.