Night at the Museum: Secret of the Tomb
As talent-packed as any Night At The Museum picture may be, one doesn’t come to a movie of this sort expecting anybody’s best work. Or…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
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This is a free edited sample of the Christmas Newsletter.
For Roger's invitation to the Club, go here.
From the Grand Poobah and Mrs. Poobah:
Seasons Greetings Everyone!
From the Poobah: Chaz and Roger Ebert wish you Peace in the New Year!
HONOLULU -- I've been away from the Hawaii Film Festival for a few years, and things have changed. Two indications:
TORONTO – It was like I had moved to a city where only movie people live. I wandered Toronto on Saturday, from screening to party, and on the busiest day of the 30th annual Toronto Film Festival there were more stars, as MGM liked to say, than in the heavens. Amazing: I ran into Deborah Kara Unger, Ed Harris, Kris Kristofferson, Steve Martin, Anthony Hopkins, Peter Sarsgaard and Maggie Gyllenhaal without even trying to, just because they were right there on the sidewalk or in the hotel lobby.
Q. When explaining why in my film "The Last Castle" we see none of the dead strewn in the prison yard after the film's climactic battle sequence, you wrote in the Answer Man that it would diminish Robert Redford's heroism to see that he was responsible for far more deaths than Gandolfini's character. The truth is this: There are no corpses because nobody was killed. We spent much of the movie establishing that the guards use rubber bullets and not live ones (at the very end of the battle, one of the guards switches to live ammo). Some men may have been wounded, but unless there were hit with direct shots to the temple (very hard to do with moving targets) they all would have survived. (Rod Lurie, director, Pasadena)
Q. Today, I read that a remake of Alfred Hitchcock's "Psycho" is shooting this summer with Gus Van Sant as the director and Anne Heche taking the Janet Leigh role and Vince Vaughn the Tony Perkins role. My first reaction is--"why?" There are great novels and screenplays floating around that don't get made, and here comes yet another remake of a film that was plenty good the first time around. If a film was popular and successful, a remake automatically has things going against it from audiences who liked the first one. So, why? (Vicki Halliday, New York City)