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Human Flow

The most monumental cinematic middle finger aimed at the Trump administration to date.

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Professor Marston & the Wonder Women

A timely affirmation of feminine power—of the ways in which female wisdom and strength can charge hearts and minds, influence culture and inspire others to…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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La Palme d'Or et la Palme d' Whiskers

May 22, 2009--One of the trade papers on Thursday was touting the French film "A Prophet" by Jacques Audiard, which received excellent reviews early in the festival, as a hot contender for the Palme d'Or. Rumors of this sort seldom mean anything here, but to me this was one of those scratch-my-head moments. "The Prophet" is a well-crafted, well-acted prison movie, but I feel like of seen variations on this story and its predictable trajectory too many times in too many other movies.

Malik, a young, vulnerable Arab-French man arrives at prison to serve a six-year sentence and is immediately targeted by the ruthless Corsican gang that controls virtually everything in the establishment, including who lives and who dies. Forced under threat of death to do the gang's dirty work, including a murder, he waits and learns to better his oppressors at their own game.

Tahar Rahim, star of "Un prophète"

As good and mainstream as this film is, there were few variations on the expected details: the body searches and humiliations of prisoners; the cruel intimidation of the weak by the strong; and Malikís inevitable rise to power as a force within the prison and as a drug lord on the outside. I guess I always hope that films in competition will be extraordinary in some way, and "A Prophet" just didn't seem to have that quality.

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