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A Girl Walks Home Alone at Night

Some of the images sit there unmoving for too long, but that very same stasis also helps create and enforce the underlying tension, the tormented…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

On orgasms

The two most important things that can happen to you in a mainstream movie are being killed and having an orgasm. Sometimes in facial close-ups it's hard to tell one from the other. When Pauline Kael saw that wall poster in Italy saying "Kiss Kiss Bang Bang," she sensed she was onto something.

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#47 January 26, 2010

Marie writes: Each year, the world's remotest film festival is held in Tromsø, Norway. The Tromsø International Film Festival to be exact, or TIFF (not to be confused with Toronto.) Well inside the Arctic Circle, the city is nevertheless warmer than most others located on the same latitude, due to the warming effect of the Gulf Stream. This likely explains how they're able to watch a movie outside, in the snow, in the Arctic, in the winter. :-)

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To NSFW or not to NSFW? (now SFW)

May Contain Spoilers

This entry is safe for work.

I hesitated just a moment before including Miss June 1975 in my piece about Hugh Hefner. I wondered if some readers would find the nude photograph objectionable. Then I smiled at myself. Here I was, writing an article in praise of Hefner's healthy influence on American society, and I didn't know if I should show a Playmate of the Month. Wasn't I being a hypocrite? I waited to see what the reaction would be.

The Sun-Times doesn't publish nudes on its site, but my page occupies a sort of netherland: I own it in cooperation with the newspaper, but control its contents. If anyone complains, I thought, it will be the paper, and if they do I'll take it down.

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"This is my happening and it freaks me out!"

Enlarge image: Messrs. Meyer and Ebert at the time of their collaboration.

Yes, "Beyond the Valley of the Dolls" is available on DVD at last. Dennis Cozzalio has a fine assessment of Russ Meyer's busterpiece over at Sergio Leone and the Infield Fly Rule -- and an appreciation of the commentary track by "BVD" screenwriter Roger Ebert, as well: And now it seems that time, and film critics and film audiences, may finally have caught up with Ebert and Meyer. Last week's DVD release of "Beyond the Valley of the Dolls" (in tandem with the straightforward Mark Robson-directed 1967 adaptation of "Valley of the Dolls") provides a chance to see the candy-colored Panavision psychedelia, the free-associative montage, and the unbridled energy that powers Meyer and Ebert's play(boy/Pent)house sensibility to greater advantage than it has probably ever been seen.

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Once more into the valley

"Beyond the Valley of the Dolls," a movie for which Roger Ebert wrote the screenplay in 1969, is being released Tuesday, June 12 on DVD. The two-disc special edition includes a commentary track by Ebert, other commentaries by the actors Dolly Read, Cynthia Myers, Marcia McBroom, Harrison Page, John LaZar and Erica Gavin. On the second disc are several documentaries about the film, its production and its music.

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King of the funny skin flicks

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Russ Meyer is dead. The legendary independent director, who made exploitation films but was honored as an auteur, died Saturday at his home in the Hollywood Hills. He was 82, and had been suffering from dementia. The immediate cause of death was pneumonia, said Janice Cowart, a friend who supervised his care during his last years. She announced his death Tuesday.

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'Dolls' triggers flood of great memories

It may be one of the 10 best movies of the 1970s, as the critic Richard Corliss once said, or it may be saddled with a script by a neophyte screenwriter, as Gene Siskel once said, but "Beyond the Valley of the Dolls" was one of the great experiences of my life. When Russ Meyer, the King of the Bs, called up in 1969 to ask me to write a screenplay at 20th Century Fox, he began an adventure later described as the maniacs taking over the studio. In six reckless weeks, starting with only a title, we created the movie from scratch. "This is not a sequel!" the ads said. "There has never been anything like it!"

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