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Winter Sleep

The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…

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Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#127 August 8, 2012

Marie writes: This week's Newsletter arrives a day early and lighter than usual, as come Tuesday morning, I'll be on a Ferry heading to Pender Island off the West Coast, where I've arranged to visit old friends for a few days and enjoy my first vacation in two years; albeit a brief one. No rest for the wicked. :-)

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TIFF 08: The Coens Who Came In From the Cold

In a Coen Brothers movie every pause and stutter, every "um" and grammatical (mis-)construction, every repetition and idiosyncratic pronunciation, is inscribed like a note on a musical staff. The composer-conductors write the music, indicate the pitch, tempo and duration of each passage, and the select musicians -- soloists and ensemble players -- attack their assigned parts with the virtuoso flair for which they are known. As composers have often written works specifically suited to the talents of their favorite musicians, so the Coens frequently write roles tailored to the individual actors they want to work with.

"Burn After Reading" is a deft little piece, directed with a straight face and performed with a roiling comedic energy that matches brio with precision. That's what makes it funny. Emmanuel Lebezki's cinematography, Carter Burwell's score, Roderick Jaynes' editing (yes, we all know that's a pseudonym) could proudly serve any modern espionage picture. All serve a ridiculously plotted absurdist farce, which is what the best spy stories usually boil down to, whether they're comic or tragic.

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