The Boss Baby
If this doesn’t sound exactly like a bundle of laugh-out-loud joy, that’s because it really isn’t.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A chat between our three female film critics about the lasting power of "Thelma and Louise" on its 25th anniversary.
A chronological commentary celebrating the performances of Gena Rowlands.
Conventional wisdom has it that the Motion Picture Academy likes to honor Feel Good films with its Oscars. Gritty and violent movies may be nominated for the best picture award, but the winner will be a movie that embraces traditional values and leaves us with a warm glow. That theory has certainly held true over the past 10 years, during which the only really Feel Bad movie that won as best picture was "Platoon." I do not count such Feel Good About Feeling Bad movies as "Terms of Endearment."
Women all over the country are going to see "Thelma and Louise" with a rare enthusiasm, despite Hollywood's conventional wisdom that men make most of the moviegoing decisions. To understand how they're connecting with the movie, look at an afternoon screening in a theater like the 900 N. Michigan complex. The largely female crowd isn't made up of teenagers, but more mature generations - married women, professionals, older women, visitors to the city. They love this movie. They cheer it, they get teary-eyed, and they bring their friends to see it.