Everest: The Other Side
A gripping account of an obsessive climb, driven by grief and a need for catharsis.
A gripping account of an obsessive climb, driven by grief and a need for catharsis.
Centering the plot on those affected, as opposed to those who commit crimes, gives voice to an increasingly common, complex experience.
Queer horror and isolation mark three films from Chicago Film Fest’s After Dark program.
We look at three films from the festival’s New Directors Competition, which draw from personal, diverse experiences.
On three narrative films that stood out at this year’s Chicago International Film Festival.
A recap of this year’s Busan International Film Festival.
On two indelible tales from the festival’s Black Perspectives program.
“Possible Love” exists in this space of potential upheaval, devastatingly turning relatable human emotion into possible tragedy.
Elegantly told and rich in meaning, “Fatherland” is a beautifully derived piece of heartbreaking art.
It’s a project that clearly adores Highsmith and her elegant murders but doesn’t quite solve the mystery of how to replicate what she did so well.
Unafraid of executing its simple formula: Let the actors carry the film.
On three standouts from Chicago Film Festival’s documentaries section,
On three films from this year’s Black Perspectives program.
This latest dispatch covers a trio of award winners competing in Busan’s main competition.
Brilliantly sits at the intersection of documentary, narrative, comedy, reality TV and performance.
Three vital films from Busan International Film Festival.
A preview of one of Chicago’s best film events.
A look back on Facets Chicago’s three-day retrospective on the queercore filmmaker’s works to date.