As long as the focus is on Mia and Elliot, the film is involving and moving.
Listen (doo-dah-doo), do you want to know a secret?
I have new reviews of two fine films -- one from Germany and one from Turkey -- in today's Chicago Sun-Times and on RogerEbert.com:
It feels like science fiction -- "Fahrenheit 451" or "THX 1138" or "Brazil," with roots in Kafka and Orwell -- but the chilling and chilly dystopian world of writer-director Florian Henckel's "The Lives of Others" existed. The film, which begins in 1984, is a depiction of historical reality, not a cautionary fiction. It's set in East Germany, the German Democratic Republic, then a Soviet bloc communist-totalitarian state. Think of it as "The Conversation" behind the Iron Curtain.
The air is alive in Turkish director Nuri Bilge Ceylan's "Climates" -- more alive than the characters, who are like inert lumps of rock or sand. But that's the point. In this movie, so finely attuned to frequencies of light and sound, it's the invisible space around the characters that swarms with life and possibility. Their interior lives are muddled, opaque even to themselves, and they can't express anything directly, not even their own anguish and dissatisfaction.
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.
A look back at one of the best films of all time.
Peter Bogdanovich, film historian and filmmaker, talks about Buster Keaton, the subject of his new documentary.