In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Bad Boys for Life

It is the best of the three films, offering in some odd ways a corrective to the prior installments.

The Amusement Park

This is Romero's Powell film, and as a lifelong devotee to Romero, it’s really quite moving to finally get to see it.

Other reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other reviews
Great Movie Archives

Reviews

A Life Less Ordinary

  |  

“Life Less Ordinary” is from the team that gave us “Shallow Grave” and “Trainspotting”, so maybe it’s a penance that their characters this time are angels and lovers, rather than body snatchers and druggies. See, ma? We’re good lads at heart.

The film expends enormous energy to tell a story that is tedious and contrived. It begins in heaven’s police station, where Chief Gabriel (acting on orders from the top) dispatches two angels to earth to engineer a romance. It appears that God is displeased by the divorce rate.

Advertisement

We meet the two lovers that heaven plans to unite. Robert (Ewan McGregor) is a janitor. Celine (Cameron Diaz) is a millionaire’s daughter who amuses herself by using a handgun to shoot apples off the head of her fiance (Stanley Tucci). (She misses, and a friend observes, “He’ll live, but he’ll never practice orthodontics again.”) Robert works for her father’s company, and when he’s replaced by robots, he seizes one of the squat little machines and tries to smash it against the wall of the chairman’s office. The millionaire (Ian Holm) calls security, Robert grabs a gun from a guard, and at a crucial point Celine kicks the gun back into Robert’s grasp--maybe because she hopes he will kidnap her, which he does.

The film then settles into a formula familiar from two other recent films, “Excess Baggage” and “Nothing to Lose.” The kidnapper and his victim grow friendly and eventually become conspirators. Robert turns out to be inept at making threatening phone calls, and Celine starts with helpful hints and ends up stage-managing the kidnapping herself. (“That’s all I am to you,” he complains bitterly. “Your latest kidnapper--a fashion accessory!”) All of this is being manipulated, in a sense, by two angels, Jackson (Delroy Lindo) and O’Reilly (Holly Hunter). For reasons unclear to me, they are hired by the millionaire to track down his daughter and the kidnapper, and the movie develops into a long, unhinged chase sequence in which the angels act more like cops than matchmakers. By this point I was well past caring.

After the anarchic glee of “Trainspotting,” this film is a move toward the mainstream by the team of director Danny Boyle, producer Andrew Macdonald and writer John Hodge. It’s a conventional movie that never convinces us that it needed to be made. Most films with angels depend more on supernatural intervention than character development, but in this case the film seems completely confused about the nature the intervention should take, and so are we. The plot’s a mess, the characters flail about in scenes without points, and the more we see of Cameron Diaz and Ewan McGregor, the more we yearn for a nice, simple little love story--say, about the rich girl who falls in love with the Scots janitor and gets along just fine without any angels.

Advertisement

Popular Blog Posts

​Joker Leads Oscar Nominations

The 2020 Oscar nominations.

Creators of Modern Sherlock Bring Dracula to Life on Netflix

A review of Netflix's Dracula, from the creators of Sherlock.

Killer Inside: The Mind of Aaron Hernandez Offers Glimpse into American Tragedy

A review of the new Netflix crime docuseries about former New England Patriot Aaron Hernandez.

The 4-Star Films of 2019

A collection of the reviews given our highest possible grade in 2019.

Reveal Comments
comments powered by Disqus