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After Everything

As long as the focus is on Mia and Elliot, the film is involving and moving.

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First Man

If you want to get an almost first-person sense of what it felt like to ride a rocket into orbit and beyond, "First Man" is…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Sheila O'Malley

Sheila O'Malley

Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. Along with Rogerebert.com, her work has also appeared in Film Comment, The Dissolve, Masters of Cinema, Movie Mezzanine, Flavorwire, Capital New York, Fandor, Press Play, and Bright Wall/Dark Room.  She has contributed video and print essays for various releases from The Criterion Collection. O’Malley wrote the narration (read by Angelina Jolie) for the Governors Awards Lifetime Achievement tribute reel to legendary actress Gena Rowlands. O’Malley also wrote the narration for the Governors Awards tribute to editor Anne Coates’, played at the 2016 Governors Awards. O’Malley writes about actors, movies, and Elvis Presley at her personal site, The Sheila Variations. A short film she wrote, "July and Half of August,” premiered at the 2016 Albuquerque Film and Music Experience.


Read her answers to our Movie Love Questionnaire here.


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#276 May 17, 2016

Sheila writes: The Cannes Film Festival is up and running and Rogerebert.com is there! You can check out Rogerebert.com's full coverage in the Table of Contents for the film festival. That post will be updated as more dispatches come in. There is video footage as well, including a memorable moment when Chaz Ebert asked a question at the "Money Monster" press conference. Finally, "Two Weeks in the Midday Sun," Roger Ebert's 1987 book about the Cannes Film Festival, was re-released in May, just in time for the 2016 festival. The re-release has a foreword written by Martin Scorsese, which you can read here.

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#275 April 30, 2016

Sheila writes: The outpouring of grief-struck tributes following Prince's untimely death at the age of 57 has been overwhelming. Farther down in the newsletter you'll find links to the tributes that have gone up on Rogerebert.com. But first, here's a link to Roger's review of Prince's 1987 movie "Sign O' the Times", in which he describes "Purple Rain" as "one of the greatest rock movies of all time." And here's a clip of Siskel and Ebert discussing "Purple Rain," putting it on their "Best of 1984" list.

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#274 April 8, 2016

Sheila writes: As I'm sure most of you know, April 4th marked the 3rd anniversary of Roger Ebert's death. There have been various tributes to him all week on Rogerebert.com, including an ongoing series called "Roger's Favorites." Throughout his career as a critic, Roger often championed actors and filmmakers, sometimes pointing them out to his audience before the wider culture had caught on. The editors at Rogerebert.com wrote essays on some of these favorites, and it's already become a rich archive. You can check out the full list here: Roger's Favorites: A Table of Contents.

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#273 March 27, 2016

Sheila writes: The lineup for Ebertfest 2016 (April 13-17 in Champaign, Illinois) 2016 is a stunner, starting from its opening film, Guillermo del Toro's gorgeous "Crimson Peak." (Del Toro will be a guest at Ebertfest as well.) The list of films and guests have been (mostly) finalized. There will be some fascinating panel discussions, as well as QAs with directors and actors following the screenings. You can check out the full Ebertfest schedule here.

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#272 March 9, 2016

Sheila writes: In Roger Ebert's Great Movies review of Martin Scorsese's "Taxi Driver," he writes: "The technique of slow motion is familiar to audiences, who usually see it in romantic scenes, or scenes in which regret and melancholy are expressed--or sometimes in scenes where a catastrophe looms, and cannot be avoided. But Scorsese was finding a personal use for it, a way to suggest a subjective state in a POV shotPOV shot...one of Scorsese's greatest achievements in 'Taxi Driver' is to take us inside Travis Bickle's point of view." I came across a wonderful video that shows Scorsese's storyboards for "Taxi Driver" alongside the actual filmed scenes.

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