
TV/Streaming
Netflix’s “Marco Polo” Ends Creatively Disappointing Year For the Company
A review of Netflix's "Marco Polo" and commentary on how the company is treading water when they should be creatively leading.
Brian Tallerico, the Managing Editor of RogerEbert.com, has covered television, film, video games, Blu-ray/DVD, interviews, and entertainment news for two decades online, on radio, and in print.
In addition, he is a TV writer for Vulture.com, a contributor at The Playlist, and freelancer for multiple outlets, including The New York Times, Rolling Stone, and GQ. He also serves as President of the Chicago Film Critics Association, co-produces the Chicago Critics Film Festival every May, and is a regular guest on radio stations and podcasts.
You can follow him on Twitter @Brian_Tallerico. Read his answers to our Movie Love Questionnaire here.
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A review of Netflix's "Marco Polo" and commentary on how the company is treading water when they should be creatively leading.
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