
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
A review of the second half of season two of “The Sandman,” the end of the hit Netflix show.
A review of the second half of season two of “The Sandman,” the end of the hit Netflix show.
“The Hunting Wives” is the latest mediocre drivel being pushed down the audience’s throat in the name of art.
“Washington Black” is a wonderment, combining the harshness of history and the fuel of steampunk with the many sides of love, into the tale of a lionhearted legend.
A show that continues to uphold the ideals of its franchise’s point of origin, even as its swings boldly go nowhere all that deep.
This one will just make you sleepy when it’s not making you feel icky.
This latest iteration is rooted firmly in the haunting and bleak foundation of the original series.
If you’re looking for a procedural thriller that’s grounded by grit, genuine leads, and complex cases, “Ballard” gets it done.
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Despite this being a path to the end of the series, it will end with a bang instead of a whimper.
“Nautilus” is fun to watch and feels ever so slightly subversive.
Season 3 plays largely the same game as the previous season, with an added dose of tortured pathos.
On balance it’s one of the most buoyant and joyous pieces of television I’ve experienced in years.
A series with no discernible story, character development, or sense of purpose.
“Melrose Place” on the seas.
The seriousness of this season has transformed the show for good.
It’s really the cast that helps elevate “Revival,” particularly Scrofano, who carries the entire piece on her resolute shoulders.
“Stick” embraces clever and snappy, sitcom banter while serving up a cocktail of sports comedy and warm-hearted dramatic beats.
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A Chicago legend looks back at one of its greatest unsolved cases, now the subject of a hit Netflix series.