
Bright Wall/Dark Room: “Home is Where the Hurt Is” by Asher Gelzer-Govatos
This month’s excerpt from online magazine Bright Wall/Dark Room is an essay about home and “Little Women.”
This month’s excerpt from online magazine Bright Wall/Dark Room is an essay about home and “Little Women.”
A look at the work of John Williams outside of his greatest hits.
A look at “I, Tonya” from the perspective of a skating expert.
A brief history of “L.A. Noire,” now available on the Nintendo Switch.
An interview with co-director Craig Ainsley about his short and a presentation of the film.
A look at the companion volume for “Justice League.”
A book excerpt from “Guillermo del Toro’s ‘The Devil’s Backbone.'”
A special edition of Thumbnails focusing on the women who have accused President Donald Trump of sexual harassment.
One of the best superhero films, in large part because the title character sincerely believes in values larger than any one person.
Clare Cooney on “Runner”; Uma Thurman on “The Parisian Woman”; Condoning conduct of Hollywood tyrants; Godfather of Indian gangster films; Misogyny of “Blade Runner 2049.”
Hela and Valkyrie are unusual for Marvel and blockbuster movies in general. Both are messy, complicated figures not neatly fitting into the box of villain or potential love interest.
A review of two of the biggest games of 2017, a pair that use World War II in very different ways.
This month’s excerpt from online magazine Bright Wall/Dark Room explores “Blade Runner.”
A look back at Hal Ashby’s “The Last Detail” on the occasion of Richard Linklater’s new film, “Last Flag Flying.”
Disney ends press ban; NY Times sacks Boies; Press banned from White House briefings; Trump claims he invented “fake news”; Federal government conceals gun statistics.
A critic considers the death of his father in light of cinema’s handling of the end of life.
A special look at a new Blu-ray label.
Appreciating a small 1987 film that feels needed very much in this cultural moment.
A presentation of the short film “Turkey” by director Harvey Benschoter.