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Reviews

Earthquake Bird (2019)
Colette (2018)
Still Alice (2014)
The Last of Robin Hood (2014)
Quinceañera (2006)

Blog Posts

Ebert Club

#333 July 24, 2018

Matt writes: The 2018 Fantasia International Film Festival in Montreal is screening many memorably eccentric features through August 1st, and Nick Allen has been there to cover it all for RogerEbert.com. Check out his coverage of such enticing titles as Yong-wan Kim's "Champion," Tim van Dammen's "Mega Time Squad," Darin Scott and Rusty Cundieff's "Tales from the Hood 2" and many more.

Features

Thumbnails 9/12/14

Remembering Richard Kiel; Kevin Smith on "Tusk"; Julianne Moore shines in "Still Alice"; New war on big money in politics; How Stephen King teaches writing.

Roger Ebert

Ebert's 2006 summer/fall round-up

Film festivals allow you to get way ahead on your movie viewing. At Sundance, Cannes, Telluride and Toronto you can see movies that will be released throughout the coming year and into the next. That's what Roger Ebert does every year, and here are some of the movies he's already written about for the next few months, into November....

Festivals & Awards

Sundance 2006 winners

PARK CITY, Utah (AP) Ñ Two films examining immigrant life in America, the Hispanic teen drama "Quinceanera" and the Sudanese refugee documentary "God Grew Tired of Us," won top honors Saturday at the Sundance Film Festival.

Festivals & Awards

Sundance #10: Push comes to screen

PARK CITY, Utah – On the last day of Sundance 2006, I went to see one final film, named “Man Push Cart.” It was playing at 8:30 a.m. in the Prospector Square Theater, which is a large room filled with fairly comfortable folding chairs. The movie tells the story of a young man who was once a rock star in his native Pakistan, but now operates a stainless steel push cart on the streets of Manhattan, vending coffee, tea, muffins and bagels (“You want cream cheese?”).

Festivals & Awards

Sundance #7: Film ratings exposed!

PARK CITY, Utah - Since 1968, the MPAA Code and Ratings Administration has been an anonymous group enforcing secret guidelines on almost all movies seeking release in America. The difference between its R and NC-17 ratings can mean life or death for a movie. A rating can be appealed -- to another anonymous group, also with guidelines that are never made clear. The board's founder and great defender, Jack Valenti, explained for years that the movie raters were "ordinary parents" with young children, trying to advise other parents on how appropriate movies might be for younger viewers.