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Cold War

An aching film on such exquisite pains of impossible love, Paweł Pawlikowski’s Cold War concurrently swells your heart and breaks it.

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The House That Jack Built

Ultimately, it’s more of an inconsistent cry into the void than the conversation starter it could have been.

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Schindler's List

This was published on June 24th, 2001, and we are republishing it in honor of the film's 25th anniversary rerelease."Schindler's List" is described as a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Opening Shots: 'A Hard Day's Night'

View image: Channnnnnggggggg...

From Sam Goldsmith:

If there is any opening shot that truly shows the power of cinema, it comes from my favorite film, Richard Lester's "A Hard Day's Night." After crediting Miramax and Walter Shenson, the film makes a hard edit to John, George, and Ringo cheerfully running from hordes (not a group, hordes) of overzealous fans at Marylebone Station in London. Accompanied by one of the greatest opening chords in rock and roll history, you know that something fun is about to begin.

View image: Down goes George.

Also, notice the fact that George falls down, Ringo tumbles after him, and John turns and laughs. If it were any other film, the makers would probably have them do the shot again, but the spontaneity of that moment and how they react to it is real and joyous. When they finally approach the screen by the end of the shot, the magic of the film starts to weave a spell of euphoria, and we can do nothing else but enjoy the ride.

View image: John cracks up.

From Jerry Matthews, The Salt Shaker, Salt Lake City, UT:

The picture cuts in from black as, on the soundtrack, George Harrison's jangling 12-string strikes a kinetic opening chord. The four members of The Beatles run towards the camera on the left side of the frame, while the stampede of fans who want to touch them fills all of the narrow street. The cars parked on the street obstruct much of the crowd, suggesting the film's energetic, impromptu feel.

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