Darkest Hour stands apart from more routine historical dramas.
An interview with Ava DuVernay and David Oyelowo, director and star of "Selma."
"Of few deaths can it be said that they end an era, but hers does. No other actress commanded more attention for longer, for her work, her beauty, her private life, and a series of health problems that brought her near death more than once." - Roger, from Elizabeth Taylor, a star in her own category
Marie writes: They call it "The Shard" and it's currently rising over London akin to Superman's Fortress of Solitude and dwarfing everything around it, especially St. Paul's in front. I assume those are pigeons flying over-head and not buzzards. Ie: not impressed, but that's me and why I'm glad I saw London before they started to totally ruin it.Known as the "London Bridge Tower" before they changed the name, when completed in 2012, it will be the tallest building in Europe and 45th highest in the world. It's already the second highest free-standing structure in the UK after the Emley Moor transmitting station. The Shard will stand 1,017 ft high and have 72 floors, plus another 15 radiator floors in the roof. It's been designed with an irregular triangular shape from base to top and will be covered entirely in glass. The tower was designed by Renzo Piano, the Italian architect best know for creating Paris's Pompidou Centre of modern art with Richard Rogers, and more recently the New York Times Tower. You can read an article about it at the Guardian. Here's the official website for The Shard. Photograph: Dan Kitwood.
LOS ANGELES--Kenneth Branagh's "Hamlet" is one of those grand gestures that restores your faith in the flexibility and imagination of the movies. When so many films seem to march lockstep through versions of the same proven formulas, here's one that takes on perhaps the most enigmatic character in literature, and surrounds him with every single word of "Hamlet"--a play so often cut that many people have never seen it as Shakespeare wrote it.
LOS ANGELES -- Helen Mirren remembers that she took a deep breath after she read the screenplay for "The Cook, the Thief, His Wife, and Her Lover," and then she thought, "Well, yes, it is a dangerous film. It's deep and complex and we're not skating around any issues. It's on the cutting edge, quite apart from the content -- look at the style of the filmmaking, the artificiality of it, the strangeness of the dialogue. I knew it was dangerous, but I didn't think it was that dangerous. You know, that X-rated thing, because that's a different kind of thing altogether."