The film looks beautiful, using natural locations and available light, all of which creates a real sense of the environment.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report on four films, new and old, from the final days of the New York Film Festival.
An in-depth preview of the films, including rarities and restorations, playing in the Noir City: Chicago 8 program at the Music Box Theatre.
A recap of the 2015 TCM Film Festival.
Six recent releases on Blu-ray, including Fellini's "Il Bidone" and two Tyrone Power movies.
Turner Classic Movies is saluting the June 30 birthday of director Anthony Mann with day of his films -- including 1949's "The Black Book" (aka "Reign of Terror") an Austro-Hungarian Expressionist film noir take on the French Revolution, photographed by one of Mann's frequent early collaborators (and one of the noirest of black-and-white cinematographers), John Alton. At Straight Shooting (bookmark it), Richard T. Jameson surveys the career of a filmmaker who
acquired a passionate cult among connoisseurs of film style for having made some of the most lucidly and powerfully visualized films in American cinema. Few filmmakers have equaled his genius for fusing landscape and dramatic action, and his heroes--in the films noir of the late Forties and his majestic Westerns of the Fifties--are a compellingly conflicted lot. [...]
Was Anthony Mann a director of the first rank? Not when the touchstones are Lang, Ford, and Hawks.... But his best work goes a long way toward making film noir and the Western our two richest genres, and his relentless pursuit of dynamic images ensures him the esteem of anyone who believes that movies should be worth looking at, minute by minute, frame by frame.
The Grand Poobah writes: "be there or be square...."(click to enlarge)